Fruit (Grapefruit and Oranges) by William Etty
Reclining Figure by William Etty
A Jew's Head by William Etty
Classical Scene with Two Figures by William Etty
The Mourner by William Etty
Female Figure Pulling Aside Curtain by William Etty

Where to See William Etty

53 museums worldwide

About William Etty

British · 1787–1849

a baker's son who drew on floorboards, became Britain's first serious painter of nudes, attended life classes his entire career, and saved York's city walls

Read full biography →

Portrait of William Etty
Museums53
Countries9
Most worksNational Trust, Swindon · 21 works
Loading map…

Where to see William Etty

Ranked by works you can see in person.

William Etty prints

Hand-finished archival prints from William Etty's body of work.

See all William Etty prints →

View all 53 museums

3 more museums hold works by William Etty with smaller collections, not listed here.

Can't travel? Bring William Etty home.

See all William Etty prints →

Frequently Asked Questions

  • Where can I see William Etty's work?
    It is difficult to provide a comprehensive list of locations for William Etty's work, but several museums and galleries house examples. In the United States, you might find his paintings at the Detroit Institute of Arts (Detroit), the Wadsworth Atheneum (Hartford), and the Nelson Gallery-Atkins Museum (Kansas City). In Europe, notable locations include the Staatliche Kunstsammlungen (Dresden), the National Gallery of Ireland (Dublin), the National Gallery of Scotland (Edinburgh), the Städelsches Kunstinstitut (Frankfurt a. M.), the Staatliche Kunsthalle (Karlsruhe), the Staatliche Kunstsammlungen (Kassel), and the Hermitage Museum (Leningrad). In the UK, you may find pieces at the National Gallery of Scotland (Edinburgh). Some works remain in private collections, such as those at Hovingham Hall (Yorkshire) and Knowsley Hall (Lancashire). Be aware that access to private collections is often restricted.
  • What should I know about William Etty's prints?
    William Etty (1787-1849) was a painter known for his classical and historical subjects, often featuring nude figures. Prints of his work were popular during his lifetime and after. These prints were typically reproductive engravings made by professional engravers, created with Etty's approval. These reproductive prints allowed Etty's paintings to reach a wider audience. The prints made his work accessible to collectors who could not afford original paintings. Printmaking techniques used to reproduce his paintings included mezzotint, line engraving, and mixed-method engraving. The Printsellers’ Association tracked and regulated the production of these engravings. The organisation ensured quality and protected the copyright of both the artist and the publisher. The number of proof impressions for each print was declared to the association, providing details about edition sizes.
  • Why are William Etty's works important today?
    William Etty (1787-1849) was an English painter known for his history paintings and figure studies, particularly his use of the nude figure. He faced criticism during his lifetime for his focus on nudity, which some considered vulgar. However, his artistic skill and dedication to his ideals have led to a reassessment of his position in British art history. Etty's importance lies partly in his technical abilities. He studied at the Royal Academy Schools and was deeply influenced by the old masters, especially Rubens and the Venetian school. He aimed to capture the beauty of the human form through careful observation and skilled brushwork. His mastery of colour and his ability to depict flesh tones were particularly admired. His influence on later artists is also a factor. Although his subject matter sometimes caused controversy, his dedication to the nude as a subject inspired later generations of artists to explore the human form. His work provides a link between the old masters and later developments in British painting. He is now recognised as a significant figure in the development of British art in the 19th century.
  • Who is William Etty?
    William Etty (1787-1849) was the first significant British painter of nudes. In early nineteenth-century England, this specialisation required a certain stubbornness, as critics often deemed his work indecent. His nudes display warmth and physicality, influenced by Venetian colouring, setting him apart from the British tendency to depict flesh like marble.
  • What techniques or materials did William Etty use?
    William Etty was known for his skill in colour and his study of the human form. He prioritised the use of colour to convey emotion and create visually striking works. Etty received academic training at the Royal Academy Schools. There, he would have learned traditional oil-painting methods, including the use of layered paint application. He studied antique sculptures and life drawing, which gave him a deep understanding of anatomy. His method involved careful preparation of canvases, the use of toned grounds, and a layering of glazes to achieve luminosity. He often employed a warm colour palette, favouring reds, oranges, and yellows. These hues are evident in paintings such as "Youth on the Prow, and Pleasure at the Helm" (1832). Etty's focus on colour and the nude figure set him apart from many of his contemporaries. His techniques contributed to his distinctive style.
  • Who did William Etty influence?
    William Etty's paintings, particularly his nudes and history paintings, found admirers among Romantic painters. Eugène Delacroix, for example, held Etty's work in high regard. Later in the 19th century, some artists working in a Pre-Raphaelite style showed the impact of Etty's approach to colour and subject matter. These artists favoured plaintive, romantic themes, often with an Italianate flavour. Henry Holiday, who exhibited at the Grosvenor Gallery, painted Pre-Raphaelite subjects and worked in stained glass under the influence of Burne-Jones. John Melhuish Strudwick, an assistant to Burne-Jones, adopted mythological and allegorical subjects in a linear style. Sir Frank Dicksee helped to carry the Pre-Raphaelite style into the 20th century. John William Waterhouse moved from neoclassicism to a Pre-Raphaelite style, echoing Rossetti in some of his subjects. However, by his later years, some critics thought Etty's classic subjects had become somewhat tawdry.
  • Who influenced William Etty?
    William Etty, who became popular after twenty years of effort, was influenced by several artists. Early on, some thought he would follow Thomas Mulready, who was painstaking and student-like. Mulready strived for perfection, but his drawing lacked a grand line. Etty's contemporaries and immediate elders were worshippers of him. They did not inquire into the start of his greatness, but emulated the looser design and execution he cultivated near the end of his career. Some followed other masters, but all cited Pheidias and Raphael to justify their course. They revolted at any suggestion that the solid ground beneath their feet was the foundation on which sincere workers must stand. Rubens and Titian were influential in the development of the art of Anthony Van Dyck, who carried on the Venetian tradition through northern Europe and into England. From Titian, like Rubens, he learned to use oil paint to perfect scenes of material and atmospheric splendour.
  • What is William Etty's most famous work?
    It is difficult to identify one single work as William Etty's most famous, as his output was varied and his reputation fluctuated during and after his lifetime. He is generally known for his history paintings and figure studies, often featuring nude figures, which were admired for their handling of colour and flesh tones. Some of his well-known paintings include depictions of classical and mythological subjects, such as 'Cupid, Venus and', 'Diana and Endymion', and 'Apollo and Daphne'. Etty also painted historical and biblical scenes, for example, several versions of 'The Triumph of David', 'Esther Before Ahasuerus', and depictions of Moses. These works can be found in major museum collections, including the Dulwich Picture Gallery (London), the National Gallery (London), and the Louvre (Paris), among others. The availability and prominence of these works in public collections contribute to his recognition.

Sources

Where to See guide aggregates verified holdings of William Etty's works across the following collections.

  1. [1] museum Royal College of Art Used for: museum holdings.
  2. [2] museum Cleveland Museum of Art Used for: museum holdings.
  3. [3] museum Bolton Museum Used for: museum holdings.
  4. [4] museum Beecroft Art Gallery Used for: museum holdings.
  5. [5] museum Art Institute of Chicago Used for: museum holdings.
  6. [6] museum Williamson Art Gallery and Museum Used for: museum holdings.
  7. [7] academic William Etty Used for: biography.
  8. [8] book Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author, Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author - The Art Book_ New Edition, Mini Format Used for: biography.
  9. [9] book Engen, Rodney K, Pre-Raphaelite prints : the graphic art of Millais, Holman Hunt, Rossetti and their followers Used for: biography.
  10. [10] book Pre-Raphaelitism and the Pre-Raphaelite Brotherhood (2 Volumes) Used for: biography.
  11. [11] museum William Etty, 'The Fairy of the Fountain', William Etty, 1845 Used for: museum holdings.
  12. [12] museum William Etty (British, York 1787–1849 York), The Three Graces Used for: museum holdings.
  13. [13] museum William Etty 1787–1849 Used for: biography.

Editorial overseen by Solis Prints. Sources verified 2026-06-28. Click a source for details, or hover over [N] in the page above to preview.

Keep exploring

Back to William Etty