You can find Edward Bawden's work in several public collections in the United Kingdom. These include the Victoria and Albert Museum^[4], London; the National Museums of Scotland, Edinburgh; and the Manchester Art Gallery^[1]. Other UK venues holding his work are the Brighton Museum & Art Gallery; the Geffrye Museum, London; the Leeds City Art Gallery; the Walker Art Gallery, Liverpool; the Ulster Museum, Belfast; and the Aberdeen Art Gallery and Museum. In the United States, you can view Bawden's prints at the Metropolitan Museum of Art, New York; the Los Angeles County Museum of Art; the Minneapolis Institute of Arts; the Museum of Modern Art, New York; the Charles Hosmer Morse Museum of American Art, Winter Park, Florida; the Virginia Museum of Fine Arts, Richmond; and the Wolfsonian at Florida International University, Miami Beach. His work is also held at the Royal Ontario Museum in Toronto.

Edward Bawden settled in Great Bardfield, Essex, in 1932. He lived and worked in the village for decades.

Edward Bawden was United Kingdom, born in 1903 and died in 1989.

Edward Bawden (1903-1989) was a British artist, known for his prints, book illustrations, and graphic design. He studied at the Cambridge School of Art and later at the Royal College of Art, where he became friends with Eric Ravilious. Bawden worked in a range of printmaking techniques, including linocut, wood engraving, and lithography. Linocut was a favoured medium; he exploited its bold graphic potential in posters for London Transport and book illustrations. His prints often feature architectural subjects, such as stations, shops, and churches. He also produced prints of botanical subjects and humorous scenes. During the Second World War, Bawden served as a war artist. He documented military activities in the Middle East and Europe. Some of his wartime work was captured by the enemy when his ship was torpedoed. After the war, Bawden taught at the Royal College of Art. He continued to produce prints and illustrations throughout his career, working often for commercial clients. Bawden's prints are characterised by strong lines, flat areas of colour, and a distinctive sense of wit. His work demonstrates an interest in the everyday and a talent for capturing the character of a place or object.

Edward Bawden's work remains important for several reasons. He was a significant figure in British printmaking and design during the twentieth century. Bawden's prints, book illustrations, and commercial art demonstrate a distinctive style, combining humour with careful observation. Bawden trained at the Royal College of Art during the 1920s, where he developed his skills in various media, including watercolour, linocut, and lithography. His early work often depicted scenes of everyday life, executed with a characteristic attention to detail. Later, Bawden worked as a war artist during the Second World War, producing images of military operations in the Middle East and Europe. These works offer a valuable historical record. After the war, Bawden continued to produce commercial designs for companies such as Fortnum & Mason and Twinings. His designs are admired for their wit and originality. Bawden's influence can be seen in the work of many contemporary illustrators and printmakers. His prints are collected by museums and individuals, ensuring his continued relevance.

Edward Bawden designed the lion-and-unicorn masthead for the Observer newspaper, which ran for nearly thirty years. As an official war artist, he went to France and drew the evacuation from Dunkirk, then to the Middle East, North Africa and Ethiopia.

Edward Bawden was a student at the Royal College of Art in 1922, where he studied under Paul Nash. He formed a friendship with Eric Ravilious that lasted until Ravilious's death in 1942.

Edward Bawden produced linocuts, watercolours, murals, book illustrations, and wallpaper designs. Some of his wallpaper linocuts were pressed by driving a Rolls-Royce over them, because he did not own a press large enough.