The Mystical Marriage of Saint Catherine by Bartolome Esteban Murillo
Four Figures on a Step by Bartolome Esteban Murillo
Saint Antoine de Padoue adorant l'Enfant Jésus by Bartolome Esteban Murillo
Brother Juniper and the Beggar by Bartolome Esteban Murillo
Joseph and Potiphar's Wife by Bartolome Esteban Murillo
Old Woman with Distaff by Bartolome Esteban Murillo
The Angels' Kitchen by Bartolome Esteban Murillo
St. Diego Giving Alms by Bartolome Esteban Murillo
The Flight into Egypt by Bartolome Esteban Murillo
Beggar Boys Playing Dice by Bartolome Esteban Murillo
Holy Family by Bartolome Esteban Murillo
Virgin and Child by Bartolome Esteban Murillo

Where to See Bartolome Esteban Murillo

92 museums worldwide

About Bartolome Esteban Murillo

Spanish · 1617–1682

Baroque Seville's most popular painter, whose Immaculate Conceptions circulated worldwide before critics dismissed them as sentimental

Read full biography →

Portrait of Bartolome Esteban Murillo
Museums92
Countries13
Most worksMuseo del Prado, Madrid city · 50 works
Loading map…

Where to see Bartolome Esteban Murillo

Ranked by works you can see in person.

Bartolome Esteban Murillo prints

Hand-finished archival prints from Bartolome Esteban Murillo's body of work.

See all Bartolome Esteban Murillo prints →

View all 92 museums

42 more museums hold works by Bartolome Esteban Murillo with smaller collections, not listed here.

Can't travel? Bring Bartolome Esteban Murillo home.

See all Bartolome Esteban Murillo prints →

Frequently Asked Questions

  • Where can I see Bartolome Esteban Murillo's work?
    Murillo's paintings can be found in several major museums and religious buildings across Europe and North America. In Spain, the Museo del Prado in Madrid holds a significant collection, including *Saint John the Baptist as a Child*, *Martyrdom of Saint Andrew*, *Immaculate Conception of Los Venerables*, *Portrait of Nicolas Omazur*, *Adoration of the Shepherds*, *Immaculate Conception of El Escorial*, *The Patrician Relating His Dream to Pope Liberius*, and *Charles II*. Seville is another important location; the Museo Provincial de Bellas Artes has *Saint Francis Embracing the Crucified Christ*, *Adoration of the Shepherds*, *Saint Thomas of Villanueva Distributing Alms*, and *Immaculate Conception of the Franciscans*. The Hospital de la Caridad in Seville houses *Moses Before the Rock of Horeb*, and the Seville Cathedral contains *Vision of Saint Anthony of Padua*. Elsewhere in Europe, the National Gallery in London possesses *Healing of the Paralytic*, *Self-Portrait*, and *Portrait of Don Justino de Neve*. The Musée du Louvre in Paris has *Boy Killing Fleas*, *Angel Kitchen*, *Foundation of the Trinitarian Order*, and *Birth of the Virgin*. Munich's Alte Pinakothek features *Boys Eating Grapes and Melon*, *Boys Playing Dice*, and *St. Thomas of Villanova and the Pauper*. In the United States, the National Gallery of Art in Washington, D.C., displays *Two Women at a Window*. The Cincinnati Art Museum has *Saint Thomas of Villanueva Dividing His Clothes Among Beggar Boys*, while the Detroit Institute of Arts holds *Flight into Egypt*. The Meadows Museum in Dallas exhibits *Jacob Laying the Peeled Rods Before Laban's Flock* and *Saint Rufina*. The Krannert Art Museum in Champaign, Illinois, has *Christ After the Flagellation*.
  • Where is Bartolome Esteban Murillo from?
    Bartolome Esteban Murillo was Spain, born in 1617 and died in 1682.
  • What should I know about Bartolome Esteban Murillo's prints?
    Bartolomé Esteban Murillo (1618-1682) was a leading figure among the second generation of artists from Seville. After training in his hometown, where he was noted for his precocious talent, he established his own studio in 1649. A few years later, he began to receive commissions from the city's religious orders. Many of his cycles of paintings have since been dispersed and are now held in museums worldwide. Murillo's early works feature intense images of children playing, young beggars, and street urchins. While the influence of Ribera is evident, so is a taste for action, for genre scenes, and for descriptive detail. By 1650, the contrast between the essential, austere paintings of Zurbaran and those of the younger, dynamic Murillo was already evident. In 1660, Murillo opened an academy of fine arts in Seville. The activity of imitators and copyists, combined with what practically amounted to the mass production of devotional images, sometimes of inferior quality, led to a decline in his reputation for a certain period.
  • Why are Bartolome Esteban Murillo's works important today?
    Murillo's works offer insight into 17th-century Spanish society, particularly its religious and social values. His paintings, many of which depict religious scenes and everyday life, provide a window into the cultural atmosphere of Seville during the Baroque period. His influence on later artistic movements is also a factor. Art criticism has, since the late 19th century, considered how artists relate to later movements. Studying the connections between images reveals traces, quotations, and manipulations. Some believe that creators with powerful imaginations commit an appropriation, responding to the art of their forerunners. Murillo's work allows examination of the artistic exchanges and influences that have shaped Western art. His paintings are not just historical artefacts; they are part of an ongoing dialogue between artists across generations.
  • Bartolomé esteban murillo famous paintings?
    Saint John the Baptist as a Child, Saint Thomas of Villanueva Dividing His Clothes Among Beggar Boys, and Saint Francis Embracing the Crucified Christ are among Bartolomé Esteban Murillo's paintings. He also painted Adoration of the Shepherds.
  • What techniques or materials did Bartolome Esteban Murillo use?
    Bartolomé Esteban Murillo was a versatile artist, known for his depictions of everyday life and religious scenes. His work is often divided into three styles: the cool (frio), the warm (calido), and the vaporous (vaporoso). The vaporous style has been compared to Rembrandt's warm, transparent light-darkness. Murillo's versatility extended to his choice of materials. After training in his hometown, Murillo established his own studio in 1649. A few years later, he began receiving commissions from religious orders in Seville. In 1655, after a period of study in Madrid, he introduced greater freedom and monumentality into his work. He studied the works of Van Dyck, Rubens, Ribera, and Titian, which influenced his artistic development. One of the first results of Murillo’s return to Seville was a cycle of eleven pictures for the nave of the Franciscan Monastery, depicting events from the lives of famous followers of these monks and the affiliated orders of nuns.
  • Who did Bartolome Esteban Murillo influence?
    Bartolomé Esteban Murillo, a leading figure among the second generation of Sevillian artists, had many copyists and imitators, though no outstanding pupil. His work was much in demand throughout Europe and was widely copied well into the nineteenth century. In 1660, Murillo opened an academy of fine arts in Seville; the activity of imitators and copyists, combined with what practically amounted to the mass production of devotional images, sometimes of inferior quality, led to a decline in his reputation for a certain period. Murillo's style is more tender and sentimental than his Spanish contemporaries, Jusepe Ribera and Francisco de Zurbarán. His balance between realism and idealisation, the subtlety of his expressive language, and the descriptive power of his technique were never again attained in Sevillian painting. Francisco Meneses Osorio (c. 1630-c. 1705) was Murillo's pupil and assistant.
  • Who influenced Bartolome Esteban Murillo?
    Bartolomé Esteban Murillo, a leading figure among second-generation Sevillian artists, was born in Seville in 1618. He trained with Juan del Castillo, who was related to his mother. Murillo was aware of Diego Velázquez and Francisco de Zurbarán, both from Seville, and Rembrandt, whose art was well represented in Spain. The Marquis of Villamanrique, Murillo’s patron, owned a painting by Rembrandt. Velázquez may have influenced Murillo by allowing him to study works by Van Dyck, Rubens, Ribera and Titian for three years in Madrid palaces. Murillo's early works, such as *Angel Kitchen* (1646) and *San Diego Feeding the Poor* (1646), show the influence of Zurbarán through their use of earth tones and textures. *Angel Kitchen* was part of a cycle of thirteen canvases for the Convent of San Francisco el Grande in Seville. *San Diego Feeding the Poor* is stylistically related to the Sevillian masters. By 1650, the contrast between Zurbarán's austere paintings and Murillo's dynamic style was apparent. In 1660, Murillo opened an academy of fine arts in Seville.

Sources

Where to See guide aggregates verified holdings of Bartolome Esteban Murillo's works across the following collections.

  1. [1] academic Bartolome Esteban Murillo | Biography, Art, Paintings, & Facts Used for: biography.
  2. [2] academic Bartolomé Esteban Murillo - Smarthistory Used for: biography.
  3. [3] academic Murillo, Bartolomé Esteban | Grove Art Used for: biography.
  4. [4] book Zuffi, Stefano, 1961-, Baroque painting : two centuries of masterpieces from the era preceding the dawn modern art Used for: biography.
  5. [5] book Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author, Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author - The Art Book_ New Edition, Mini Format Used for: biography.
  6. [6] book Beckett, Wendy, The story of painting Used for: biography.
  7. [7] museum Bartolomé Esteban Murillo | National Gallery of Art Used for: biography.
  8. [8] museum Bartolomé Estebán Murillo - Virgin and Child - The Metropolitan Museum of Art Used for: museum holdings.

Editorial overseen by Solis Prints. Sources verified 2026-06-28. Click a source for details, or hover over [N] in the page above to preview.

Keep exploring

Back to Bartolome Esteban Murillo