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Corsican Landscape by Auguste Herbin
Landscape by Auguste Herbin
Still Life with Lamp by Auguste Herbin
Hamburgs port by Auguste Herbin
Landscape with poplars by Auguste Herbin
Park in Paris by Auguste Herbin
After the rain at la Roche Guyon by Auguste Herbin
The coast at Haute Isle by Auguste Herbin
Maison au bord du Fleuve by Auguste Herbin
Azalées by Auguste Herbin
Snow at Haut Isle by Auguste Herbin
House at the Water by Auguste Herbin

Where to See Auguste Herbin

40 museums worldwide

About Auguste Herbin

French · 1882–1960

moving from Cubism to a geometric alphabet of colour and form, painted with his left hand after paralysis took his right

Portrait of Auguste Herbin
Museums40
Countries12
Most worksKröller-Müller Museum, Otterlo · 26 works
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Where to see Auguste Herbin

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Auguste Herbin prints

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Frequently Asked Questions

  • How tall was Auguste Herbin?
    Auguste Herbin was of short stature. During the First World War, this meant he was exempt from military service and assigned to an aeroplane factory near Paris.
  • Who was Auguste Herbin?
    Auguste Herbin was a French artist who moved through Impressionism, Fauvism, and Cubism before arriving at a geometric abstraction that bordered on language. He co-founded Abstraction-Creation, an international group promoting non-figurative art, and later helped establish the Salon des Realites Nouvelles. Herbin was also politically active, writing against fascism and joining the Communist Association of Revolutionary Writers and Artists.
  • What was Auguste Herbin's art style?
    Herbin's art style evolved throughout his career, beginning with Impressionism and Post-Impressionism before transitioning to Fauvism. He then explored Cubism, followed by pure abstraction. His later work was a systematic geometric abstraction that bordered on language.
  • What is Auguste Herbin known for?
    Herbin is most recognised for developing the "alphabet plastique" in 1942, a systematic language of geometric forms and colours. He mapped letters and musical sounds onto triangles, circles, and rectangles, creating compositions that could theoretically be read as well as seen. This system drew on Goethe's Theory of Colours and Rudolf Steiner's anthroposophy.

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