Where to See Else Berg

To view works similar to Else Berg's, examples of related art styles can be found in several collections. In Germany, you might visit the Brücke Museum or the Nationalgalerie, both in Berlin. Other German museums include the Kunsthalle in Bremen, the Ludwig Museum and Wallraf-Richartz Museum in Cologne, the Folkwang Museum in Essen, and the Von der Heydt Museum in Wuppertal. The Kunsthalle in Hamburg and the Niedersächsisches Landesmuseum in Hanover also hold relevant pieces. Outside Germany, the Los Angeles County Museum of Art (LACMA) and the Art Institute of Chicago in the USA have relevant holdings. In the UK, the Brighton Museum & Art Gallery, Manchester Art Gallery, and the Victoria & Albert Museum in London may also contain similar works.

Else Berg (1877^[1]-1969) was a German-Dutch^[1] artist known for her involvement with the Bergen School, a group of early twentieth-century Dutch expressionist painters. Berg's prints, while less numerous than her paintings, offer insight into her artistic range. Berg studied art in Paris and Berlin before settling in the Netherlands. Her work often features portraits and scenes of daily life, rendered in a style that blends elements of German Expressionism^[1] with a more personal, decorative approach. She was married to fellow painter Mommie Schwarz, and they often depicted each other in their work. Although Berg is best known for her paintings, she also produced linocuts and woodcuts. These prints share the bold lines and simplified forms found in her paintings. Her prints often depict figures, sometimes with a satirical or critical edge. Berg's work was suppressed during the Nazi occupation of the Netherlands, and she and Schwarz were eventually arrested. Schwarz was murdered in Auschwitz in 1942^[1], but Berg survived the war in hiding. After the war, she continued to paint and exhibit her work until her death in 1969.

Else Berg (1877^[1]-1969) was a German-Dutch^[1] artist whose paintings, drawings, and graphic work are significant for their expressionist style and subject matter. Berg's work provides insight into the cultural milieu of early 20th-century Europe, particularly the artistic communities of Berlin and Amsterdam. As a Jewish woman artist, Berg faced considerable adversity during her career. Her experiences during the Nazi era, when her work was labelled as degenerate, add a layer of historical importance to her artistic output. Her survival as an artist, and her later recognition, are important aspects of her biography. Berg's association with the Amsterdamse School, though not a formal membership, places her within a specific artistic movement in the Netherlands. Her individual approach to portraiture and the figure distinguishes her work. She developed a distinctive style, characterised by bold colours and simplified forms. Her work captures the spirit of her time, offering a personal perspective on the people and places around her.

Information regarding Else Berg's specific techniques is limited. However, a broader look at artistic techniques of the period can provide some context. Technique in art involves a relationship between materials, manual and mechanical processes, and the artist's intention. Twentieth-century painters employed varied techniques, so the role of technique differs from artist to artist. Knowing an artist's materials offers insight into their technique, but a complete understanding requires considering equipment, media, manual processes, and intentions. Some artists used soft, fine brushes with fluid oil mediums to achieve smooth surfaces. Others used coarse hog's hair brushes on canvas. The use of a painting spatula and a painting knife could help to evenly cover a shape. Some artists primed canvases with animal-skin glue and then applied a ground consisting of red ochre and gesso tempered with linseed oil. The outlines of the composition were then sketched on the ground, probably with black oil paint.

Else Berg is associated with German Expressionism^[1], a movement that surfaced around 1905^[1]. Expressionism is often considered a German phenomenon because it flourished in Germany for specific social and political reasons. However, it had a wider significance. Expressionism encompasses a range of styles and issues. It can be characterised as anguished, tortured, brutally primitive, passionately spiritual, and reflecting elemental cosmic forces. Expressionist art often features distortion and subjectivism. Expressionism developed artistic importance in the works of leading artists. The scale of subjective expression was immense, and its limits are vague. The accents changed with the impulses that provoked them. Not everything expressive in Germany between 1905 and 1920 can be called Expressionism.

Else Berg (1877^[1]-1942^[1]) was a German Expressionist artist. Expressionism^[1] surfaced as a cohesive movement around 1905^[1]. Although it encompassed a range of issues and styles, it is often characterised as tortured, anguished, brutally primitive, or passionately spiritual, reflecting elemental cosmic forces. Expressionism seems to deal with universals: vision, subjectivism, distortion, and revolt. Moreover, few movements can lay claim to so much interaction and interfusion of the arts: literature, art, and music, with some practitioners working ably in two media. On the other hand, Expressionism is frequently considered a German phenomenon and sometimes even dismissed as being excessively localised in both time and place. Undeniably the movement flourished in Germany for particular social and political reasons; just as undeniably, however, it had a wider significance that transcends the transmission of a bag of habits and tricks.

Else Berg is known for her paintings, though a significant number were lost or destroyed during the Second World War. The surviving works are held in Dutch^[1] museum collections.

Else Berg was associated with the Bergense School, known for its expressive response to the Dutch^[1] landscape. Her travels through Eastern Europe and stays in Mallorca led her towards Cubism, incorporating splintered planes and flattened geometry into her art.