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turning down the mayoralty to finish a painting, and producing the first pure landscape in oil since antiquity

Where to see Albrecht Altdorfer
Ranked by works you can see in person.
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0 worksNational Gallery of Art
Washington, D.C., United States
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8 worksBavarian State Painting Collections
Munich, Germany
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8 works
Gemäldegalerie Berlin
Berlin, Germany
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7 worksKunsthistorisches Museum
Maria-Theresien-Platz, Austria
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5 worksGermanisches Nationalmuseum
Nuremberg, Germany
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0 works
Metropolitan Museum of Art
New York City, United States
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2 worksUffizi Gallery
borough 1, Italy
Also here (6)
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3 works
Albertina
Palais Erzherzog Albrecht, Austria
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3 worksMuseum of Fine Arts, Budapest
Budapest, Hungary
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1 worksNational Gallery Prague
Prague, Czech Republic
Albrecht Altdorfer prints
Hand-finished archival prints from Albrecht Altdorfer's body of work.
Pyramus and Thisbe - Albrecht Altdorfer
From £28.00
Crouching Venus - Albrecht Altdorfer
From £28.00
The Beautiful Virgin of Regensburg - Albrecht Altdorfer
From £28.00
The Beautiful Virgin of Regensburg - Albrecht Altdorfer
From £28.00
Lot and His Daughters - Albrecht Altdorfer
From £28.00
Christ before Pilate - Albrecht Altdorfer
From £28.00
Christ Taking Leave of His Mother - Albrecht Altdorfer
From £28.00
Lot and His Daughters - Albrecht Altdorfer
From £28.00
View all 24 museums
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2 worksNational Gallery
Trafalgar Square, United Kingdom
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1 worksStädel Museum
Frankfurt, Germany
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0 works
Museum Boijmans Van Beuningen
Museum Boijmans Van Beuningen - Robbrecht & Daem wing, Netherlands
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1 worksHessen Kassel Heritage
Schloss Wilhelmshöhe, Germany
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1 worksThyssen-Bornemisza Museum
Palace of Villahermosa, Spain
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1 worksKunsthalle Bremen
Mitte, Germany
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1 works
Tokyo Fuji Art Museum
Yanomachi, Japan
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1 works
Führermuseum
Linz, Austria
Also here (6)
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1 works
Kupferstichkabinett Berlin
Berlin, Germany
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1 works
Munich Central Collecting Point
Munich, Germany
Also here (6)
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0 works
Cleveland Museum of Art
Wade Park, United States
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0 works
Hunterian Museum and Art Gallery
Glasgow, United Kingdom
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0 works
Statens Museum for Kunst
Copenhagen Municipality, Denmark
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0 works
Museum Kunstpalast
Düsseldorf, Germany
Can't travel? Bring Albrecht Altdorfer home.
See all Albrecht Altdorfer prints →Frequently Asked Questions
Where can I see Albrecht Altdorfer's work?
Albrecht Altdorfer, a painter, printmaker, and architect, was active in Regensburg in the early 16th century. He is considered a principal figure in the Danube School, a group of artists known for their interest in nature. Several museums hold examples of Altdorfer's paintings, drawings, and prints. The Alte Pinakothek in Munich possesses his famous painting *The Battle of Alexander at Issos*. Other paintings can be found at the Kunsthalle in Bremen. Fourteen panels from his Saint Florian Altarpiece (circa 1509-1516) remain in situ at the Augustinian Monastery of St Florian, Austria; two more are in the Kunsthistorisches Museum, Vienna. Drawings by Altdorfer are in the Kupferstichkabinett in Berlin, the Biblioteca Ambrosiana in Milan, and the Museum of Fine Arts in Budapest. The National Gallery in London holds *Landscape with Footbridge*. However, some works, such as *Landscape with Church*, formerly in the Museum Boymans Van Beuningen in Rotterdam, have been lost.What should I know about Albrecht Altdorfer's prints?
Albrecht Altdorfer (c. 1480-1538) was a German painter, printmaker, and architect. He is associated with the Danube School of painting, and is known for his landscape settings. Altdorfer's prints are a small, but important, part of his output. He produced woodcuts and engravings, with the former being more numerous. His woodcuts often feature dense, expressive lines. They display his skill in manipulating the medium to create atmospheric effects. Many of his prints are small in scale. His early prints show religious subjects and figure compositions. Later, he concentrated on pure landscapes. "The Beautiful Virgin of Regensburg" (c. 1519) is one of his notable woodcuts. It combines religious imagery with a view of the city. Altdorfer’s engravings are fewer in number than his woodcuts. They include portraits and ornamental designs. Although printmaking was not the central focus of Altdorfer's career, his contributions to the medium are significant. They demonstrate his creativity and technical ability. His prints are valued for their artistic quality and historical importance. They provide insight into the development of printmaking in the German Renaissance.Why are Albrecht Altdorfer's works important today?
Albrecht Altdorfer (c. 1480-1538) was a German painter, printmaker, and architect. He is considered a founder of the Danube school of painting. His importance rests on his pioneering approach to subject matter and composition. Altdorfer was an early exponent of pure painting. This is apparent in works such as "St George and the Dragon" (1510-1511, Alte Pinakothek, Munich). He placed the figures within an enveloping forest. This diminished their importance relative to the setting. His interest in natural forms extended to his watercolour sketches. These depict wooded landscapes with an accuracy that suggests direct observation. He is also known for his large-scale history paintings, such as "The Battle of Alexander at Issus" (1529, Alte Pinakothek). This painting combines an interest in classical subject matter with detailed observation of nature. The bird's-eye perspective and dramatic light effects create a powerful visual impact. Altdorfer's printmaking activities, especially his woodcuts, helped to disseminate his style and ideas. His work influenced later generations of artists interested in painting and the natural world.What techniques or materials did Albrecht Altdorfer use?
Albrecht Altdorfer, a central figure in the Danube School, employed a variety of techniques and materials in his art. His early works consist mainly of prints and drawings, but he also produced paintings. Altdorfer's first signed painting is the *Satyr Family* (1507). His *St George in a Wood* (1510) is executed on parchment affixed to a panel. He created two independent landscapes on parchment also pasted on panel: the *Landscape with Footbridge* and the *Landscape with Castle*. A third, now lost, is known from a description in an 1783 catalogue. He also worked with watercolour and gouache on paper, often with pen-and-ink underdrawings. Examples include the *Landscape with Sunset* (circa 1522). A similar work, *Landscape with Tree and Town* (1525), is attributed to a follower of Altdorfer. Beyond painting and drawing, Altdorfer designed for stained glass. He also worked, with assistants, on commissions for Emperor Maximilian I, including a presentation copy in watercolour on vellum of *The Triumph of Emperor Maximilian*.Who did Albrecht Altdorfer influence?
Albrecht Altdorfer's influence is complex, partially because his artistic interests were diverse. He is known for small-scale, highly detailed paintings, often with expressive colour. He also made prints; these circulated his ideas to a wider audience. Later artists were affected by his approach to natural settings. Altdorfer's depictions of forests and other wild places, such as in "St George and the Dragon" (1510), moved away from being mere backgrounds. Instead, the setting became an active participant in the narrative. This is especially true of his Danube school works. His influence can be seen in the work of artists who followed, particularly in their treatment of natural forms. Later Swiss artists, such as Anton Graff (1736-1813), were clearly inspired by Altdorfer's expressive use of light and shadow. Similarly, his compositional techniques appear in the work of other German artists throughout the 16th and 17th centuries. However, direct lines of influence are hard to establish with certainty, due to the passage of time and the diffusion of artistic ideas.Who influenced Albrecht Altdorfer?
Albrecht Altdorfer, a significant figure in German Renaissance art, developed his style through exposure to various artistic influences. As an engraver and painter in Bavaria, he probably saw the work of artists in Augsburg and Nuremberg. Some scholars suggest connections between Altdorfer and older masters. For example, his treatment of light has been linked to the work of Lucas Cranach the Elder. Parallels exist between Altdorfer's landscapes and those of Jorg Breu the Elder. Breu worked primarily as a designer of woodcuts; Altdorfer also produced many woodcuts. His early works show the influence of Danube school artists. These include Lucas Cranach and Wolf Huber. Some scholars argue that Altdorfer’s work shares some qualities with that of Hans Burgkmair. The expressive use of colour in south German art likely played a role in shaping Altdorfer's artistic vision. He absorbed and transformed these influences into a unique style.What is Albrecht Altdorfer's most famous work?
Albrecht Altdorfer's most famous painting is likely *The Battle of Alexander at Issus*, produced in 1529. It is part of a series of paintings commissioned by William IV, Duke of Bavaria, for his Munich residence. The painting depicts the 333 BC Battle of Issus between Alexander the Great and Darius III of Persia. The picture is known for its dramatic aerial perspective, its almost cosmic presentation of the battle, and its unusual subject matter. Rather than focusing on the individual figures of Alexander and Darius, Altdorfer presented the battle as a vast, almost abstract, conflict played out under an expressive sky. The landscape is not topographically accurate; instead, it is an imagined view of the Mediterranean. *The Battle of Alexander at Issus* is in the collection of the Alte Pinakothek in Munich. It has been reproduced and interpreted many times. Its fame rests on its singular artistic vision, its break from traditional battle painting, and its innovative approach to both perspective and subject matter.What style or movement did Albrecht Altdorfer belong to?
Albrecht Altdorfer (circa 1480-1538) is associated with the German Renaissance, specifically the Danube School. This grouping is more a regional style than a formal movement. It refers to artists working near the Danube River in the early 16th century. Key characteristics of the Danube School include an interest in naturalism, expressive colour, and atmospheric perspective. Artists often depicted dense forests and dramatic light effects. The human figure is frequently secondary to the natural setting. These artists moved away from classical ideals, favouring emotional expression. Altdorfer's work is noted for its combination of religious, historical, and imaginative subjects. His famous painting, *The Battle of Alexander at Issus* (1529), demonstrates his skill in depicting vast, panoramic scenes. He was also an accomplished printmaker, creating woodcuts and engravings. These prints, often small in scale, allowed for the wider distribution of his artistic ideas. Altdorfer's style influenced other artists in the region and contributed to the development of German Renaissance art.
Sources
Where to See guide aggregates verified holdings of Albrecht Altdorfer's works across the following collections.
- [1] museum Städel Museum Used for: museum holdings.
- [2] museum Germanisches Nationalmuseum Used for: museum holdings.
- [3] museum National Gallery Prague Used for: museum holdings.
- [4] museum Prints in the National Gallery of Art Used for: museum holdings.
- [5] museum Museum Boijmans Van Beuningen Used for: museum holdings.
- [6] museum Gemäldegalerie Berlin Used for: museum holdings.
- [7] wikidata Wikidata: Q153746 Used for: identifiers.
- [8] book Cuttler, Charles D, Northern painting from Pucelle to Bruegel: fourteenth, fifteenth, and sixteenth centuries Used for: biography.
- [9] book Charles D. Cuttler, Northern Painting From Pucelle to Bruegel Fourteenth, Fifteenth, and Sixteenth Centuries Used for: biography.
- [10] book Barbara Butts, Lee Hendrix, John Walsh, Brent Benjamin, Barbara Giesicke, Timothy B. Husband, Mylène Ruoss, Hartmut Scholz and Peter van Treeck, Painting on Light: Drawings and Stained Glass in the Age of Dürer and Holbein Used for: biography.
Editorial overseen by Solis Prints. Sources verified 2026-07-02. Click a source for details, or hover over [N] in the page above to preview.
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