Frédéric Bazille died young, at age 29, during the Franco-Prussian war. The number of his surviving works is small. Despite his early death, Bazille's paintings can be found in several museums. Many are located in France. The Musée d’Orsay in Paris holds several paintings, including *The Artist’s Studio on the rue de la Condamine* (1870) and *At His Easel* (1867). Other French museums with Bazille's works include the Musée d’Art et d’Histoire de Provence, Grasse; Musée des Beaux-Arts, Besançon; Musée des Beaux-Arts, Dijon; Musée des Beaux-Arts, Lille; Musée des Beaux-Arts, Nancy; Musée des Beaux-Arts, Nantes; Musée des Beaux-Arts Jules Cheret, Nice; Musée des Beaux-Arts, Orléans; Musée des Beaux-Arts, Reims; Musée des Beaux-Arts, Rennes; Musée des Beaux-Arts, Rouen; Musée d’Art et d’lndustrie, Saint Etienne; Musée du Prieure, Saint Germain-en-Laye; Musée de 1’Annonciade, Saint Tropez; Musée du Haubergier, Senlis; Musée d’Art Moderne, Strasbourg; and Musée des Augustins, Toulouse.

Frédéric Bazille was a French painter who died in battle at the age of twenty-eight. A reassessment of him in the 1970s has helped to recover his place in art history.

Frédéric Bazille's artistic development occurred among a circle of painters including Claude Monet, Édouard Manet, Pierre Auguste Renoir, and Alfred Sisley. Bazille met Sisley at Gleyre's studio; according to Renoir, Bazille was responsible for bringing Sisley there. He met Camille Pissarro at Manet's studio. This group frequented the Closerie des Lilas, arguing about art and the new Renaissance in which they felt they were participating. Bazille's parents knew Manet, and Bazille visited Manet's studio many times. Bazille considered Manet as important to them as Cimabue and Giotto were to the Italians of the Quattrocento. Monet and Bazille painted side by side at Sainte-Adresse in 1864. Some scholars believe Bazille copied Monet's seascape from that time a year later, in 1865. X-rays suggest that Bazille substantially revised his composition. Though Bazille hoped he had 'the merit of not copying anyone else', his paintings from this period are similar to Monet's in proportion, composition, and tone.

Frédéric Bazille is closely linked with the Impressionist movement, even though he died before its first official exhibition. A painting that offers a view into the artist's world is *The Artist’s Studio on the rue de la Condamine*. Completed in 1870, it depicts Bazille in his studio, showing a painting to Claude Monet and Édouard Manet. Pierre-Auguste Renoir sits to the left, in conversation with Émile Zola. Bazille made his studio available to fellow artists. Renoir painted Bazille at work in 1867; the resulting canvas, *Frédéric Bazille at His Easel*, shows him painting *Heron with Folded Wings*. A snowy scene by Monet hangs above him. Bazille admired the work of Renoir and Monet. He died in the Franco-Prussian War in 1870; he was only 29 years old.

Frédéric Bazille is closely associated with the early Impressionist movement, although he died before its formal emergence. His paintings show a move towards Impressionist techniques, particularly in the handling of colour and light. Bazille's work moved away from the prevailing tastes of the French academy, known as Le Salon. One example is his painting *The Artist’s Studio on the rue de la Condamine*, which offers a glimpse into the world of artists like Claude Monet, Édouard Manet, and Pierre Auguste Renoir. Bazille's subject matter often involved observations of everyday life and personal experiences. His approach to figures, motion, and composition also suggests elements of Realism. Renoir painted Bazille at his easel in 1867; above Bazille's head is a section of Monet's *Honfleur in the Snow*. Bazille greatly admired the work of Renoir and Monet, and he shared his studio with them.

Frédéric Bazille (1841-1870) is remembered for his connections to early Impressionism and his paintings of everyday life. Although his output was small because he died young, his work displays bold figure modelling and colour handling. Bazille came from a wealthy family near Montpellier, which allowed him to rent a studio in Paris. There, he painted scenes from his surroundings, such as young men bathing. His treatment of light and shadow and his colour choices align with early Impressionist techniques. Bazille's studio became a meeting place for artists. He admired Manet, and he made his studio available to Monet and Renoir. Bazille encouraged the formation of an artistic group. According to Renoir, Bazille brought Sisley to Gleyre’s studio. His 1870 painting, *The Artist’s Studio on the rue de la Condamine*, depicts Bazille showing a painting to Monet and Manet, with Renoir and Émile Zola also present. This work, like many others, was rejected by the French academy. Bazille died in the Franco-Prussian War before the first official Impressionist exhibition.