Utagawa Toyokuni I's woodblock prints can be viewed in several museums internationally. A number of institutions hold collections of his work. These include the Asian Art Museum and the National Museums in Berlin; the National Museum of Ethnology, Leiden, in The Netherlands; and the Tokyo National Museum. Other museums with significant holdings include the Musée Guimet in Paris; the Chester Beatty Library and Gallery of Oriental Art, in Dublin; the British Museum, the Victoria and Albert Museum, and the Fitzwilliam Museum in Cambridge, all in the UK; and in the USA, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, and the Museum of Fine Arts, Boston. There are also two museums in Japan, the Ota Museum, Tokyo, and the Hiraki Ukiyo-e Museum, Yokohama. The Rijksmuseum in Amsterdam owns a surimono collection, which includes works by almost all of the artists who designed surimono. The Fogg Museum at Harvard University possesses a surimono collection.

Utagawa Toyokuni I (1769-1825) was a prolific and influential print artist of the Utagawa School. Born in Edo (modern Tokyo), he apprenticed with Toyoharu, the school's founder. Toyokuni's earliest known work is thought to be illustrations for the book *Sleeping and Waiting Fool* (1786). His earliest print is a portrait of actor Segawa Kikunojo III (1789). Toyokuni is best known for his *ukiyo-e* prints of kabuki actors. From 1794 to 1796, he gained fame through the series *Likenesses of Actors on Stage*, issued by publisher Izumiya Ichibei. These portraits, numbering over fifty, were innovative for their realism and emphasis on individual features. Toyokuni was friends with many prominent actors and also created memorial portraits after their deaths. He also produced prints of beautiful women, initially influenced by Kiyonaga, and occasionally designed warrior prints. His success helped establish the Utagawa School as a leading force in actor prints during the late Edo period. Toyokuni's students included Kunisada and Kuniyoshi, both of whom became famous artists. In 1804, Toyokuni faced legal trouble for illustrating figures from the *Ehon Taikoki* (Illustrated Chronicles of the Regent); he was briefly manacled as a result. He died in 1825 and was buried at Banshoin Kounji.

Utagawa Toyokuni I (1769-1825) was a celebrated designer of ukiyo-e woodblock prints in Edo-period Japan. He is best known for his yakusha-e (actor prints), which captured the likenesses and on-stage personas of popular kabuki actors. Toyokuni's prints are valued for their expressive linework and their ability to convey the energy of the kabuki theatre. His actor portraits often feature dynamic poses, elaborate costumes, and close attention to facial details, all of which helped to immortalise the leading performers of his day. Beyond actor prints, Toyokuni also produced images of beautiful women (bijin-ga) and historical scenes (musha-e). His work had a significant impact on subsequent generations of ukiyo-e artists, and his style was widely imitated. Today, his prints offer valuable insights into the popular culture and theatrical world of 19th-century Japan. They are collected by museums and individuals worldwide, prized for their artistic quality and historical significance.

Utagawa Toyokuni I, who lived from 1769 to 1825, was a significant figure in the Utagawa school of printmaking. He had many pupils, the most famous of whom were Kunisada (also known as Toyokuni III) and Kuniyoshi. Kunisada even surpassed his teacher in fame while Toyokuni I was still alive. Other students included Kunimasa and Kuniyasu. Toyokuni I's influence helped establish the Utagawa School as the most productive and influential school of the late Edo period. He solidified its reputation as specialists in actor prints. He designed faces for portraits, leaving the rest to his students. Toyokuni I also adopted Toyoshige in 1824, who then took the name Toyokuni II after Toyokuni I's death. Toyokuni II's work could not compare to Kunisada's. Toyokuni II entered Toyokuni's studio quite late, around the age of 41.

Utagawa Toyokuni I (1769-1825) belonged to the Utagawa school of ukiyo-e printmaking. This school was founded by Utagawa Toyoharu (1735-1814), and Toyokuni became Toyoharu's most important student. Toyokuni's early work included book illustrations, with his first known work appearing to be illustrations for "Sleeping and Waiting Fool" (1786). His earliest print is a portrait of the actor Segawa Kikunojo III (1789). Initially, Toyokuni designed perspective prints in the style of his teacher. He also designed images of beautiful women, influenced by Kiyonaga. However, Toyokuni is best known for his kabuki theatre related works. He became famous through his series "Likenesses of Actors on Stage" (1794-1796). These portraits, numbering over fifty, displayed a sense of realism that influenced future actor portraiture. Toyokuni emphasised individual features and expressions, especially in his large-head portraits. His success helped establish the Utagawa school as a leading force in actor prints during the late Edo period.

Utagawa Toyokuni I (1769-1825) was a prolific and popular designer of ukiyo-e woodblock prints in Japan. Born Kurahashi Kumakichi, he became the most important student of Utagawa Toyoharu, founder of the Utagawa school. Toyokuni is known for actor portraits and, to a lesser extent, images of beautiful women. His earliest known work is a book illustration from 1786; his earliest print, a portrait of actor Segawa Kikunojo III, dates to 1789. Toyokuni's success cemented the Utagawa School's reputation as specialists in actor prints. He was friends with many important actors, portraying them on and off stage. His innovative series "Likenesses of Actors on Stage" (1794-1796) brought him fame and influenced future actor portraiture by emphasising individual features and expressions. Toyokuni also produced warrior prints and, early in his career, perspective prints. He is known to have designed over ninety print series and illustrated over 400 books. He had many students, including Kunisada and Kuniyoshi.

Utagawa Toyokuni I is known for transforming kabuki actor portraiture into dynamic images of performers in character on stage. He also established compositions for pictures of beautiful women that ukiyo-e artists followed for decades. He pioneered the use of diptych, triptych and polyptych arrangements.