Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.











Albrecht Dürer's 'The Destruction of Sodom' captures a dramatic biblical scene with meticulous detail and vivid storytelling. This fine art print brings a touch of Renaissance drama and historical depth to any space.
This dramatic scene, painted on the reverse side of Albrecht Dürer's 'Madonna and Child' (Gemäldegalerie, Berlin), depicts the biblical destruction of Sodom and Gomorrah. Executed in oil on panel around 1496-1499, the artwork showcases Dürer's mastery of detail and narrative storytelling. In the foreground, three figures flee the cataclysmic event. A woman in a red dress balances a large bundle on her head, while another carries a box and a spindle. An elderly man with a staff brings up the rear, his gaze fixed ahead. In the background, the city is engulfed in flames, with fiery explosions and dark, ominous clouds dominating the skyline. Ships can be seen ablaze in the harbour, adding to the sense of utter devastation. The landscape, with its rocky outcrops and sparse vegetation, provides a stark contrast to the unfolding tragedy. This print offers a glimpse into Dürer's artistic versatility and his ability to convey both human emotion and dramatic spectacle. It makes a striking addition to any collection, bringing a touch of historical gravitas and artistic brilliance to your home.
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Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Albrecht Dürer, the undisputed master of the German Renaissance, wasn't just an artist; he was a brand. Born in Nuremberg in 1471, Dürer shrewdly cultivated his image, signing his works with a distinctive monogram and understanding the power of printmaking to disseminate his art far and wide. While others of his era relied on wealthy patrons, Dürer created a market for himself, becoming arguably the first truly independent artist. His meticulous engravings, like 'Melencolia I' and 'Knight, Death and the Devil', weren't mere copies; they were original works of art in their own right, elevating the status of the printmaker. Dürer's travels to Italy exposed him to the burgeoning Renaissance, but he didn't simply imitate Italian styles. He synthesized them with his own Northern European sensibility, creating a unique and powerful artistic voice. His self-portraits, especially the one from 1500, are iconic, presenting himself with a Christ-like aura, a bold statement about the artist's divine gift. This self-awareness, bordering on audacity, was key to his success. Beyond his prints and paintings, Dürer was a polymath, delving into mathematics, perspective, and human anatomy. His theoretical writings, though less widely known, demonstrate a sharp intellect and a desire to understand the underlying principles of beauty and form. Owning a Dürer print isn't just acquiring a beautiful image; it's owning a piece of art history, a testament to the power of innovation, self-promotion, and artistic genius.
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