Collection
Paul Gauguin
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Blue Barge - Paul Gauguin
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Young Breton Woman - Paul Gauguin
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At the Pond - Paul Gauguin
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Orchard under the Church of Bihorel (Children in the Pasture) - Paul Gauguin
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Calvaire breton - Paul Gauguin
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Portrait of William Molard - Paul Gauguin
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Portrait of Achille Granchi-Taylor - Paul Gauguin
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Mysterious Water (Pape Moe) - Paul Gauguin
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Stable near Dieppe - Paul Gauguin
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Cattle Drinking - Paul Gauguin
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Landscape at Pont-Aven - Paul Gauguin
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Cliff near Dieppe - Paul Gauguin
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Petit Breton arranging his shoe, or Landscape at Pont-Aven, Brittany - Paul Gauguin
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Still Life with White Bowl - Paul Gauguin
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By the Stream, Autumn - Paul Gauguin
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Lane at Les Alyscamps, Arles - Paul Gauguin
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Terrible Words (Parau hano hano) - Paul Gauguin
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Nave Nave Fenua (Fragrant Isle) - Paul Gauguin
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Women Washing Clothes (from the Volpini Suite) - Paul Gauguin
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In the Waves (Dans les Vagues) - Paul Gauguin
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Volpini Suite: Laundresses (Les Laveuses) - Paul Gauguin
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Eve - Paul Gauguin
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Still Life with Peaches - Paul Gauguin
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Buddha - Paul Gauguin
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Artist Biography
Paul Gauguin
Eugène Henri Paul Gauguin (1848-1903) was a leading French Post-Impressionist artist whose bold experiments in colour and form synthesised a new, modern style. Though born in Paris, Gauguin spent his early childhood in Peru, an experience that instilled in him a lifelong wanderlust and a fascination with the exotic. He began his career as a stockbroker, only turning to art in his late twenties after being inspired by the Impressionists.
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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