Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.











A bold and graphic 1971 poster by Graphic Workshop promoting environmental awareness. Its striking design and powerful message make it a stylish and thought-provoking addition to any space.
This striking 1971 poster by Graphic Workshop encapsulates the burgeoning environmental consciousness of the era. The composition features a stark, graphic depiction of discarded materials – tyres, metal scraps, and various refuse – rendered in bold black and white. This monochrome palette is punctuated by a vibrant blue sky and the green foliage of trees peeking through the debris, creating a powerful contrast between nature and waste. The word 'RECYCLE' is prominently displayed, serving as both a call to action and a visual anchor. As a fine art print, this poster offers a unique blend of vintage design and contemporary relevance. Its bold graphic style makes it a visually arresting piece, suitable for modern interiors. The message of environmental responsibility resonates deeply, making it a thought-provoking addition to any home or office. The poster's clean lines and limited colour palette ensure it complements a variety of decor styles, from minimalist to industrial. It serves as a reminder of the importance of sustainability, presented in a stylish and impactful manner.
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Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
The Graphic Workshop was not an individual, but a collective of artists who emerged from the vibrant cultural landscape of post-revolutionary Cuba. Founded in Havana in the early 1960s, the collective, also known as *Taller de Gráfica Popular*, dedicated itself to producing affordable and politically engaged art for the masses. Eschewing the elitism often associated with fine art, the Graphic Workshop embraced printmaking, particularly lithography and screen printing, to create powerful visual statements about social justice, national identity, and the challenges facing the Cuban people. Unlike many art movements driven by a single aesthetic vision, the Graphic Workshop fostered a diverse range of artistic styles. From bold, graphic depictions of revolutionary heroes to poignant portrayals of everyday life, their prints reflected the multifaceted reality of Cuba at a pivotal moment in its history. The collective's commitment to accessibility extended beyond their choice of medium; they actively sought to engage with the public, displaying their work in community centres, workplaces, and even on the streets. The Graphic Workshop's legacy extends far beyond its contribution to Cuban art history. Their innovative approach to artmaking as a tool for social change has inspired countless artists and activists around the world. Though the original collective disbanded, their prints remain potent symbols of a revolutionary spirit and a testament to the power of art to connect with and empower communities.
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