Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.











An elegant 1932 pochoir print by Martial et Armand and Bernard et Cie, showcasing Art Deco ladieswear. A sophisticated addition to any interior, bringing vintage glamour and refined aesthetics.
This elegant pochoir print, dating from 1932, showcases the height of Art Deco fashion. Attributed to the French design houses of Martial et Armand and Bernard et Cie, the illustration depicts a group of stylish women in contemporary dress, set against a minimalist architectural backdrop. The colour palette is restrained yet sophisticated, featuring soft blues, rich browns, and stark blacks, all rendered with meticulous detail. The composition is carefully balanced, drawing the eye to the elongated silhouettes and geometric patterns that define the era. As a fine art print, this piece brings a touch of vintage glamour to any interior. Its clean lines and refined aesthetic make it a versatile addition to both modern and traditional settings. The print's historical significance and artistic merit ensure it will be a conversation starter, adding character and sophistication to your home. Imagine this artwork in a hallway, study, or dressing room, evoking the elegance of the 1930s.
Explore more from our Martial et Armand and Bernard et Cie collection.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Martial et Armand, and later Bernard et Cie, represent a fascinating intersection of art, industry, and social change in late 19th and early 20th century France. Though not individual artists in the traditional sense, these firms were prolific producers of art pottery, particularly during the Art Nouveau era. Their work, often unsigned or bearing only the company mark, reflects the period's fascination with natural forms, flowing lines, and Japonisme. They democratised art by making it accessible to a wider audience through mass production, a departure from the exclusive world of fine art. Martial et Armand, active from around 1860, initially focused on faience before embracing the Art Nouveau style. Their pieces frequently featured floral motifs, insects, and depictions of women, all rendered in vibrant colours and glazes. After 1902, the company transitioned to Bernard et Cie, continuing the production of art pottery but with a slightly more streamlined and modern aesthetic, reflecting the evolving tastes of the time. The change in name also signalled a shift in ownership and artistic direction, though the core values of craftsmanship and accessibility remained. Today, pieces produced by Martial et Armand and Bernard et Cie are highly sought after by collectors of Art Nouveau pottery. Their work offers a glimpse into a period of immense artistic innovation and social transformation, demonstrating how art could be both beautiful and functional, and how industrial processes could be harnessed to bring art into everyday life. Owning a piece from these firms is owning a piece of French history, a testament to the enduring power of Art Nouveau design.
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