View of Auvers-sur-Oise by Paul Cézanne
Still Life with Bread and Eggs by Paul Cézanne
Apotheosis of Delacroix by Paul Cézanne
Bathers by Paul Cézanne
Nature morte aux sept pommes et tube de couleur by Paul Cézanne
Village derrière les arbres by Paul Cézanne
La Mer à l'Estaque by Paul Cézanne
Femme au miroir by Paul Cézanne
Le Cabanon de Jourdan by Paul Cézanne
Les Voleurs et l'âne by Paul Cézanne
Bathers by Paul Cézanne
La Carrière de Bibémus 1895 by Paul Cézanne

Paul Cézanne

1839–1906 · French

Cezanne's best friend wrote a novel about him in which he fails at everything and hangs himself. The friend was Emile Zola. They had met as boys at the College Bourbon in Aix-en-Provence: Cezanne big, quick-tempered, and wealthy; Zola frail, bookish, and bullied. Cezanne became his protector. They called themselves the inseparables. In 1886, Zola published L'Oeuvre, in which the fictional painter Claude Lantier, clearly modelled on Cezanne, struggles, fails, and commits suicide in front of his final canvas. Cezanne sent a brief note of thanks for the copy. They never spoke again.

Key facts

Lived
1839–1906, French
Works held in
9 museums[1]

Biography

His father was a banker in Aix who disapproved of art as a career. Cezanne was financially dependent on him until the inheritance came through, at which point he was free to paint with what his biographers describe as extraordinary patience. He needed it. His work was rejected and ridiculed for decades. He became so reclusive that parts of the Paris art world believed he had died.

He painted Mont Sainte-Victoire approximately eighty times, from different angles, in different light, across different seasons. The mountain near Aix became his most sustained subject, a single form explored until it yielded everything he wanted to understand about colour, structure, and the way objects sit in space.

The still lifes are equally obsessive. He declared that with an apple he wanted to astonish Paris. He chose still life, the genre most dismissed by the academy, and used it to dismantle single-point perspective. His apples sit on tables seen from multiple viewpoints at once. The tablecloth folds in ways that contradict the angle of the fruit. Nothing quite lines up. Picasso and Braque would later build Cubism on exactly this principle.

He was difficult. He destroyed paintings he disliked. He reportedly made one sitter pose for three months, then slashed the canvas. He could be charming and then cruel in the same conversation. His first solo exhibition, arranged by the dealer Ambroise Vollard, did not happen until he was fifty-six. Recognition came in the final decade of his life, largely from younger painters who understood what he had been doing all along.

Timeline

  1. 1839Born on 19 January in Aix-en-Provence, the son of a hat maker who later became a prosperous banker.
  2. 1852At 13, befriended the future novelist Emile Zola at school in Aix-en-Provence.
  3. 1872At 33, worked alongside Pissarro at Pontoise, a collaboration that transformed his palette and technique.
  4. 1895At 56, received his first major solo exhibition at Ambroise Vollard's gallery in Paris.
  5. 1906Died on 22 October aged 67 in Aix-en-Provence after collapsing in a rainstorm while painting outdoors.

Where to See Paul Cézanne

6 museums worldwide.

Plan your visit →
  • Musée d'Orsay

    Paris, France

    118 works
  • Philadelphia Museum of Art

    Philadelphia, United States

    34 works
  • National Gallery

    Trafalgar Square, United Kingdom

    24 works
  • White House

    Northwest, United States

    16 works
  • Princeton Art Museum

    Princeton, United States

    20 works
  • Musée des Beaux-Arts de la ville de Paris

    Petit Palais, France

    14 works

Plan your visit to see Paul Cézanne →

Frequently Asked Questions

  • What is Paul Cézanne's most famous work?
    Paul Cézanne produced many well-regarded paintings. These include portraits, still lifes, and works now seen as precursors to Cubism. It is difficult to name one single work as his most famous. However, several paintings appear repeatedly in discussions of his work. His paintings of Mont Sainte-Victoire, a mountain near his home in Aix-en-Provence, were a frequent subject. Cézanne returned to this motif throughout his career. The paintings became increasingly radical; nature was reduced to simple geometric shapes, and he used bold colours. One version, dating from 1885 to 1895, is in the Barnes Foundation, Merion, PA. Other notable works include The House of the Hanged Man (1873), Apples and Oranges (circa 1895-1900), and The Card Players (circa 1890-1895).
  • What should I know about Paul Cézanne's prints?
    Paul Cézanne (1839-1906) is best known as a Post-Impressionist painter. However, he also produced a small number of prints, mainly in the medium of lithography. Cézanne's printmaking output was limited. He created only a handful of original prints during his career. These works offer a different perspective on his artistic concerns, distinct from his paintings and watercolours. His prints often explore similar themes to his paintings, such as still life, portraits, and bathers. However, the graphic medium allowed him to experiment with line, form, and composition in unique ways. Collectors value Cézanne's prints for their rarity and insight into his artistic process. They provide a window into the mind of an artist who was continually pushing the boundaries of representation. While not as widely recognised as his paintings, Cézanne's prints are significant works in their own right.
  • What style or movement did Paul Cézanne belong to?
    Paul Cézanne is categorised as a Post-Impressionist. This term describes late-19th-century artists who moved beyond Impressionism, each pursuing individual styles. The British art critic Roger Fry coined the term Post-Impressionism to define avant-garde art that followed Impressionism; this work then acted as a springboard, taking art in new directions. Other Post-Impressionists include Georges Seurat, Vincent van Gogh, and Paul Gauguin. These artists rejected the empiricist premises of Realism and Impressionism, creating art that was more monumental, universal, and visionary. They also rejected a collective way of seeing, developing instead a personal aesthetic. Cézanne (1839-1906) was of the same generation as the Impressionists, developing his Post-Impressionism alongside that style. In 1861, he went to Paris to study art. From 1864 to 1869, Cézanne submitted crude, dark paintings to the Salon. In 1872, he began painting with Camille Pissarro, adopting a lighter palette and more structural compositions. Cézanne aimed to create something solid from Impressionism, akin to art found in museums.
  • What techniques or materials did Paul Cézanne use?
    Paul Cézanne is known for hisPost-Impressionist paintings, particularly his still lifes. He favoured oil paint and worked slowly, sometimes applying only a few brushstrokes per day. Cézanne rejected the quick sketching methods of Impressionism. He preferred to work in his studio, arranging fruit, such as oranges, apples, peaches, or onions, on a table with items like crumpled napkins, pottery jugs, and wine bottles. Still life was ideal for him; the objects were static and unchanging, allowing him to study them in detail over extended periods, sometimes weeks or months. Colour was fundamental to Cézanne's process. He used colour to construct forms, such as orange spheres or cylindrical jugs. Even when painting flowers, he approached colour in a deliberate way, prioritising geometric forms over lifelike representation.
  • What was Paul Cézanne known for?
    Paul Cézanne (1839-1906) is known as one of the most original and influential artists of the 19th century. Born in Aix-en-Provence, France, Cézanne initially studied law, but also enrolled in art school. He eventually abandoned law to pursue art in Paris. Cézanne associated with the Impressionists and, in 1872, painted outdoors with Camille Pissarro in Auvers-sur-Oise. He exhibited with the Impressionists in Paris in 1874 and 1877; however, he moved away from Impressionism. He was interested in the structures of objects, rather than the effects of light. His brushstrokes became more angled and descriptive. In the 1880s, Cézanne painted many still lifes. He aimed to convey the essence of objects through forms, colours, and negative spaces. In doing so, he abandoned traditional perspective and paint application. Cézanne painted some subjects repeatedly, seeking to reveal ‘something other than reality’ and to create ‘something solid and enduring like the art of the museums’. His innovative approach had a significant impact on the development of Cubism.
  • When did paul cezanne die?
    Paul Cézanne died in 1906 at the age of 67.
  • When did paul cézanne die?
    Paul Cézanne died in 1906 at the age of 67.
  • When did Paul Cézanne live and work?
    Paul Cézanne was born on 19 January 1839 and died in 1906. The son of a banker in Aix-en-Provence, he maintained connections to the area throughout his life, although he also worked around Paris. Cézanne first went to Paris in 1861 to visit his childhood friend Émile Zola. There, he encountered Camille Pissarro, who introduced him to painting outside. They worked together at times for many years, especially in the 1870s. Cézanne is considered a Post-Impressionist artist, although he was a contemporary of the Impressionists and exhibited with them in 1874 and 1877. His paintings were not widely available; in the 1880s, they could only be acquired through colour-merchants such as Père Tanguy. Cézanne did not exhibit much after the 1870s, until the dealer Vollard promoted his work in 1895. Alongside his paintings from nature, including still lifes, Cézanne continued to paint invented subjects. The romantic figure scenes of his early period gave way to compositions of bathers.
  • Where can I see Paul Cézanne's work?
    Paintings by Paul Cézanne are held in many public collections. In France, these include the Musée des Beaux-Arts in Nancy; Musée des Beaux-Arts in Nantes; Musée des Beaux-Arts Jules Cheret in Nice; Musée Matisse in Nice; Musée des Beaux-Arts in Orléans; Musée des Arts Décoratifs in Paris; Musée du Louvre in Paris; Musée Gustave Moreau in Paris; Musée National d’Art Moderne, Centre Georges Pompidou in Paris; Musée d’Orsay in Paris; Musée du Petit Palais in Paris; Musée Rodin in Paris; Musée des Beaux-Arts in Quimper; Musée Saint-Denis in Reims; Musée des Beaux-Arts in Rennes; Musée des Beaux-Arts in Rouen; Musée d’Art et d’lndustrie in Saint Etienne; Musée du Prieure in Saint Germain-en-Laye; Musée de l’Annonciade in Saint Tropez; Musée du Haubergier in Senlis; Musée d’Art Moderne in Strasbourg; and Musée des Augustins in Toulouse. Outside France, one can find his work at The Saint Louis Art Museum, which holds Bathers (oil on canvas, 52 x 63 cm).
  • Where was Paul Cézanne from?
    Paul Cézanne was born in Aix-en-Provence, France, on 19 January 1839. His family had Italian roots, originating from Cezana, a small town in Piedmont. They moved to France in the seventeenth century, settling in Besançon. Cézanne's father, Louis-Auguste, established a bank in Aix-en-Provence. At the age of thirteen, Paul was sent to boarding school at Bourbon College, where he studied for six years. There, he formed close friendships with Emile Zola and Jean-Baptiste Baille. The three friends spent their summers exploring the area, visiting places such as the Château Noir and Mont Sainte-Victoire. These childhood journeys instilled in Cézanne a love for the local scenery, which later became a recurring theme in his art. In 1859, his father bought the Jas de Bouffan, an eighteenth-century country house in Aix-en-Provence. This house became the Cézanne family home for forty years, and Paul often worked there. He began painting outdoors at Jas de Bouffan, developing the approach that influenced many artists.
  • Who did Paul Cézanne influence?
    Paul Cézanne, who died in 1906, had an impact on many artists, even though he felt he only partially achieved his artistic goals. He believed younger painters would carry on his work. His art, with its use of colour and deformations, became a source of inspiration for young painters in Europe during the early 20th century. Cézanne's influence was noted by the Nabis, Kandinsky, the Munich expressionists, de Stijl, Russian constructivists, and even the surrealists. Today, he is seen as a source for 20th-century painting. His approach to composition, careful arrangement of planes, and willingness to adjust forms influenced younger painters. They concluded that the structure of a painting made it a tangible reality, separate from the objects it represented. This idea became the basis of formal abstract art. His impact was particularly felt by the Cubists. Figures such as Picasso and Braque appreciated Cézanne's qualities. Others, like Delaunay, Metzinger, and Gleizes, were either pupils of artists familiar with Cézanne or associated with writers sympathetic to his views on art.
  • Who influenced Paul Cézanne?
    Paul Cézanne was born in Aix-en-Provence. He enrolled in art school while studying law, then moved to Paris to copy paintings at the Louvre and the Musée du Luxembourg. He mixed with future Impressionists and, in 1872, painted with Camille Pissarro in Auvers-sur-Oise; Pissarro encouraged him to paint outdoors. Cézanne exhibited with the Impressionists in Paris in 1874 and 1877, but abandoned the movement and returned to Provence in 1878. Cézanne admired Nicolas Poussin, a 17th-century French classicist, and wanted to 'revive [him] in contact with nature.' He also told young artists to study Veronese, Rubens, and Delacroix. Cézanne aimed to create something 'solid and durable like the art of museums' from Impressionism. In a letter, Cézanne advised Émile Bernard to 'deal with nature in terms of the cylinder, the sphere, the cone, all seen in perspective'. Paul Gauguin had an influence early on, but Cézanne later stated that Gauguin 'did not understand me'.

Sources

Editorial draws on the following primary and tertiary references for Paul Cézanne.

  1. [1] museum Brooklyn Museum Used for: museum holdings.
  2. [2] museum Toledo Museum of Art Used for: museum holdings.
  3. [3] museum Courtauld Gallery Used for: museum holdings.
  4. [4] museum Pushkin Museum of Fine Arts Used for: museum holdings.
  5. [5] museum Buffalo AKG Art Museum Used for: museum holdings.
  6. [6] museum Hungarian National Gallery Used for: museum holdings.
  7. [7] book Nathalia Brodskaya, Post-Impressionism Used for: biography.
  8. [8] book Post-impressionism : cross-currents in European painting Used for: biography.
  9. [9] book Post-impressionism : cross-currents in European painting Used for: biography.

Editorial overseen by Solis Prints. Sources verified 2026-05-31. Click a source for details, or hover over [N] in the page above to preview.

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