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- Lived
- 1796–1875, French
- Movement
Timeline
- 1827Painted "Rome, the Trinita dei Monti View from the Gardens of the Academie de France" aged 31.
- 1834Painted "Venice - View of Campo della Carita looking towards the Dome of the Salute" aged 38.
- 1843Painted "The Facade of the Villa d Este at Tivoli, View from the Gardens" aged 47.
- 1863Painted "Fernand Corot, the Painter s Grand Nephew, at the Age of 4 and a Half Years" aged 67.
- 1872Painted "The Banks of the Midouze, Mont de Marsan, as Seen from the Pont du Commerce" aged 76.
Notable Works
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Frequently Asked Questions
Jean baptiste camille corot art movement?
Jean-Baptiste Camille Corot was the leading painter of the Barbizon School.Jean baptiste camille corot artwork?
Two artworks by Jean-Baptiste Camille Corot are Woman in Blue (1874) and The Studio (1866). Woman in Blue is an oil on canvas and is located at the Musée National du Louvre in Paris.What should I know about Jean Baptiste Camille Corot's prints?
Jean Baptiste Camille Corot (1796-1875) is best known as a painter of romantic-lyrical atmospheric works. He spent five years in the drapery business before studying painting from 1822 to 1825. His teachers included the painter Michallon, then the Classical painter Victor Bertin. He copied works by Joseph Vernet and 17th-century Dutch masters. Corot believed that "man can only be an artist when he has recognised in himself a strong passion for nature". He sketched outdoors, working in the forest of Fontainebleau, at Dieppe, Le Havre, Rouen and at Ville d'Avray. His first visit to Rome, from 1825 to 1828, proved decisive. He produced oil studies from nature, views of historical Roman monuments and the surrounding scenery. These works captured light and atmosphere with subtle variations in tonal values. Corot also visited Italy in 1834 and 1843, Holland in 1854, and England in 1862. His friendship with the Barbizon painters Rosseau, Millet, Troyon and Dupré influenced his art in the late 1840s. Around this time, his style shifted, and he began interpreting nature in her various moods, using delicate dull silver tones.What techniques or materials did Jean Baptiste Camille Corot use?
Jean Baptiste Camille Corot, a major figure in French painting, studied with Classical artists Victor Bertin and Achille-Etna Michallon in the 1820s. Bertin taught him the basics of drawing and the importance of creating pochades (small, rapidly executed colour studies in oil) outdoors. Corot travelled extensively, including visits to Italy in 1825-1828, 1834, and 1843; he also toured Switzerland, the Netherlands, and England. He often sketched outdoors, working in places such as the Forest of Fontainebleau, Dieppe, Le Havre, Rouen, and Ville d'Avray. His oil studies from nature captured light and atmosphere with subtle tonal variations. Examples include "View of Narni" (1826) and "View of the Colosseum from the Farnese Gardens" (1826). From the 1850s, Corot moved towards a more lyrical style, using a lighter touch and a muted palette. By adding white to many of his colours, he gave his pictures an ethereal, silvery appearance.When did Jean Baptiste Camille Corot live and work?
Jean-Baptiste Camille Corot was born in Paris in 1796. After a five-year apprenticeship in the drapery business, Corot studied painting from 1822 to 1825. His instructors included the painter Michallon and the Classical painter Victor Bertin. He supplemented his studies by copying works of Joseph Vernet, as well as those of 17th-century Dutch masters. Corot felt that one could only be an artist when one possessed a strong passion for nature. He painted and sketched outdoors, working in the forest of Fontainebleau, at Dieppe, Le Havre, Rouen, and at Ville d'Avray, where his father had a house. His first trip to Italy, from 1825 to 1828, proved decisive in his artistic development. While there, he produced oil studies from nature, along with views of Roman monuments and scenery. Corot died in Paris in 1875.Where was Jean Baptiste Camille Corot from?
Jean Baptiste Camille Corot was born in Paris in 1796. He remained particularly attached to the countryside around Paris throughout his life. His parents were bourgeois; they supported his artistic career, funding a studio for him near Versailles. He received early artistic instruction from one of Jacques-Louis David's former students. Corot travelled widely, both in France and further afield. He visited Italy in 1825-1828, and again in 1834 and 1843. He also painted in Switzerland, the Netherlands and England. He worked outdoors, sketching and painting in areas such as Fontainebleau, Dieppe, Le Havre and Rouen. His father owned a house at Ville d'Avray, where Corot also spent time working. He died in Paris in 1875.Who did Jean Baptiste Camille Corot influence?
Jean Baptiste Camille Corot (1796-1875) was a critical figure in French painting. He was a leading painter of the Barbizon School during the mid-19th century. His landscapes had an inspiring influence on the Impressionists. Aspects of his later paintings can be seen in the work of Alfred Sisley and Claude Monet. Corot's work also influenced Eugène Boudin, Charles-François Daubigny and Camille Pissarro. His style evolved over time. In his later work, from the 1850s, he moved toward a more evocative style of painting, using a light touch and a muted palette. By adding white to many of his colours, he gave his pictures an ethereal, silvery appearance. Corot's fresh vision, together with his grounding in the academic tradition, has led him to be called the 'last of the Classical landscapists, and the first of the Impressionists'.Who influenced Jean Baptiste Camille Corot?
Jean Baptiste Camille Corot (1796-1875) initially studied with the painters Achille-Etna Michallon and Jean-Victor Bertin. Bertin was a classical artist; Corot also studied the works of Joseph Vernet and 17th-century Dutch masters. A stay in Italy from 1825 to 1828 proved important for Corot's artistic development. He created oil studies of Roman monuments and scenery, capturing light and atmosphere. Upon his return to France, he travelled extensively, visiting Italy again in 1834 and 1843, as well as Holland in 1854 and England in 1862. In the late 1840s, Corot's art was greatly affected by his friendship with Barbizon painters like Rosseau, Millet, Troyon, and Dupré. Around this time, his style shifted towards romantic, lyrical scenes. He interpreted nature in various moods, using delicate, muted tones. Corot's approach had an inspiring effect on the Impressionists.Who is jean baptiste camille corot?
Jean-Baptiste Camille Corot was a critical figure in French landscape painting. He was also the leading painter of the Barbizon School.Who was Jean Baptiste Camille Corot?
Jean Baptiste Camille Corot (1796-1875) was a French painter of the Naturalism and Realism movements. He is also considered a significant figure associated with the Barbizon School. Corot's work had an inspiring influence on the Impressionists. Born in Paris, Corot came from a bourgeois family. At age 19, he began attending evening classes taught by a former student of David. He later had a studio constructed at his parents’ home near Versailles. Initially apprenticed to a draper, Corot disliked commercial life. At 26, with his parents' financial support, he began his art career. He studied with landscape painters Achille-Etna Michallon and Jean-Victor Bertin. From 1822 to 1825, he studied painting, copying works by Joseph Vernet and 17th-century Dutch masters. Corot believed that one could only be an artist when one had a strong passion for nature. He painted and sketched outdoors, in locations such as the forest of Fontainebleau, Dieppe, Le Havre, Rouen, and Ville d'Avray. His first trip to Italy (1825 to 1828) was formative, leading to oil studies of Roman monuments and surrounding scenery. Later in his career, his style shifted towards romantic, lyrical views of nature.Jean baptiste camille corot souvenir de mortefontaine?
Souvenir de Mortefontaine (Oise) is a painting by Jean-Baptiste-Camille Corot from 1864. It is an oil on canvas and is located at the Musée du Louvre, Paris.Jean baptiste camille corot orpheus leading eurydice from the underworld?
Jean-Baptiste Camille Corot created dreamlike fantasy paintings, such as the scene from the opera Orpheus and Eurydice. In this painting, Eurydice has just died from a serpent bite, and a heartbroken Orpheus plays his lyre.
Sources
Editorial draws on the following primary and tertiary references for Jean Baptiste Camille Corot.
- [1] wikidata Wikidata: Q148475 Used for: identifiers.
Editorial overseen by Solis Prints. Sources verified 2026-06-07. Click a source for details, or hover over [N] in the page above to preview.
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