Collection
Paul Gavarni
Explore curated art prints selected for distinctive homes and considered interiors.
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Man in a Dressing Gown, Reading the Newspaper - Paul Gavarni
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Husbands Always Make Me Laugh: Come, Mme. Rabat-joie, shut up - Paul Gavarni
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Of the unhappy people like this, one sees them with only one eye ... and not out of an attic window!, p. 57 - Paul Gavarni
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How do you do? -Thank you! and you? -I thank you. Don't take your hat off! -As you see; and ... are you well?... - Paul Gavarni
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As for me, at least I don't say that I don't like proof spirits - Paul Gavarni
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What's with you, Mimie? The damned colic again? - Paul Gavarni
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Do you know, Partagé, which village in France has the most knock-kneed clockmakers? -No. Where's that? -Well, it's Pau! -Why? -No one has ever been able to figure it out! - Paul Gavarni
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The More I See You, the More I Love Him - Paul Gavarni
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Hush! A stockholder who just touched his dividend! - Paul Gavarni
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The Dinner of a "Protector of Animals" - Paul Gavarni
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Not a Coquette, p. 69 - Paul Gavarni
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Mademoiselle sings; we will have water - Paul Gavarni
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Madame is not in! Good Lord! ... do you have 100 sous? - Paul Gavarni
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Are you familiar with this cashemere? My goodness! ... The uncultured returns to the Pandour [soldier]., p. 125 - Paul Gavarni
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Without even counting the times there wasn't a thing at our house to put in the oven ... and Monsieur wears an overcoat of doubly thick cloth. Good lord! An overcoat of doubly thick cloth!, p. 53 - Paul Gavarni
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Enough! When will you give me a little affection for tonight? -How Trite! - Paul Gavarni
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...and I will presently be hurled in a heap, from the summit of the North Tower! ... All this, Sirs, refers to my virtue., p. 45 - Paul Gavarni
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The Heir of the Boat - Paul Gavarni
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... So then, if you would permit me, I will have the honour of sending my carriage for you at eleven o'clock. -That would keep me in boots [?], p. 43 - Paul Gavarni
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The Husband of Mademoiselle Cicada - Paul Gavarni
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Don't love me anymore?! ... Why Pamela, that would be a luxury that your methods do not permit you. - Paul Gavarni
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At the present, I sell pleasure to the ladies., p. 79 - Paul Gavarni
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I have Charity, M. le Marquis; have Faith, p. 105 - Paul Gavarni
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I hear a carriage. It's M. Chose [Thing] who comes to see his treasure. You mean his treasure-keeper, my dear., p. 107 - Paul Gavarni
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Artist Biography
Paul Gavarni
Gavarni was imprisoned for debt in 1835 after his magazine, the Journal of High Society, failed after eighteen issues. He served nearly a year. The experience did not prevent him from becoming the most stylish caricaturist in Paris, but it may explain the darkness that crept into his later work.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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