The More I See You, the More I Love Him - Paul Gavarni
Archival giclée
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Description
A lithograph by Paul Gavarni, this image captures a moment of intimate interaction between a woman and a reclining man, reflecting Gavarni's observations of Parisian social life.
This lithograph by Paul Gavarni (1804-1866), a French caricaturist, is a study of social dynamics and relationships. Gavarni, born Hippolyte Guillaume Sulpice Chevalier, was known for his acute observations of Parisian life and manners during the 19th century. His work often appeared in periodicals such as Le Charivari, reflecting the social and political climate of the time. The image depicts a woman leaning over a man who is reclining on a sofa. The composition is intimate, with the figures closely positioned, suggesting a moment of personal interaction. Gavarni's skill is evident in the detailed rendering of the figures' clothing and expressions, capturing a sense of realism within the context of caricature. The lithographic technique allows for fine lines and tonal variations, adding depth to the scene. The print is part of a series or publication, as indicated by the page number 'p. 101', hinting at a larger narrative or collection of observations on love and relationships.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The More I See You, the More I Love Him - Paul Gavarni
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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