The Dinner of a "Protector of Animals" - Paul Gavarni
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Description
A satirical lithograph by Paul Gavarni, 'The Dinner of a "Protector of Animals"' critiques societal hypocrisy through the depiction of a man indulging in a feast while claiming to be an animal lover.
This lithograph by Paul Gavarni, titled 'The Dinner of a "Protector of Animals": A Side of Beef, Half of a Scottish Partridge, a Pint of Shrimp, etc.,' presents a satirical commentary on societal hypocrisy. Gavarni, a French artist known for his incisive observations of Parisian life, frequently employed caricature to critique social norms and human foibles. This work is part of a series called 'Les Anglais chez eux' (The English at Home). The image depicts a stout, balding man reclining on a sofa, a glass in his hand, surrounded by the implied remnants of a lavish meal. The title's ironic quotation marks around "protector of animals" suggest the man's professed concern for animal welfare is at odds with his consumption of meat and seafood. Gavarni's use of line is economical yet expressive, capturing the man's corpulence and air of self-satisfaction. The setting, though sparsely rendered, hints at bourgeois comfort and indulgence. The lithograph's satirical edge is characteristic of Gavarni's work, which often targeted the pretensions and contradictions of the middle class.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Dinner of a "Protector of Animals" - Paul Gavarni
Our Features
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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