... So then, if you would permit me, I will have the honour of sending my carriage for you at eleven o'clock. -That would keep me in boots [?], p. 43 - Paul Gavarni
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A lithograph by Paul Gavarni, this print depicts a social exchange between a man and a woman in 19th-century Paris. Gavarni is known for his satirical and humorous depictions of Parisian life.
This lithograph by Paul Gavarni (1804-1866), a French artist known for his satirical and humorous depictions of Parisian life, captures a moment of social exchange. Gavarni, whose real name was Hippolyte Guillaume Sulpice Chevalier, initially trained as an engineer before turning to art. He gained popularity for his illustrations in periodicals such as 'Le Charivari' and 'Le Figaro'. The image presents a well-dressed man speaking to a woman. The man, with a slightly aged appearance, holds a top hat and is attired in a long coat. The woman, younger and elegantly dressed, listens attentively. The lithographic technique allows for fine lines and detailed shading, which Gavarni uses to convey the textures of clothing and the characters' expressions. The print is part of a series, as indicated by the page number 'p. 43', and includes a snippet of dialogue in French, adding context to the scene. The work reflects Gavarni's keen observation of social interactions and his ability to capture the nuances of human behaviour in 19th-century Paris.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
... So then, if you would permit me, I will have the honour of sending my carriage for you at eleven o'clock. -That would keep me in boots [?], p. 43 - Paul Gavarni
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
You May Also Like

