Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.











An elegant Art Nouveau chromolithograph from 1896 by De Yongh, advertising *The New York Times* with a classical figure and the motto 'Great is truth, and it shall prevail'. A vintage statement piece for any room.
This chromolithograph, created by De Yongh in 1896, served as an Easter advertisement for *The New York Times*, celebrating the newspaper as 'The Model of Decent and Dignified Journalism'. The Art Nouveau design features a classical female figure, rendered in profile, holding a lily, a traditional symbol of Easter and purity. The figure is set against a mosaic-like background, with the word 'Easter' elegantly integrated into the upper right corner. The text 'Magna Est Veritas, et Prævalebit' ('Great is truth, and it shall prevail') is prominently displayed at the bottom, reinforcing the theme of journalistic integrity. The overall composition blends classical and modern elements, characteristic of the Art Nouveau movement. The colour palette is soft and muted, with blues, greens, and golds creating a serene and dignified atmosphere. As a fine art print, this piece adds a touch of vintage elegance and intellectual sophistication to any space. Its historical significance and artistic merit make it a conversation starter, ideal for a study, living room, or hallway. The poster's message of truth and integrity remains timeless, making it a meaningful addition to your home.
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Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Johannes (or Jan) de Jongh (1815-1893) was a Dutch painter whose tranquil landscapes offer a window into the 19th-century Netherlands. Though not as widely celebrated as some of his contemporaries from the Hague School, de Jongh's work possesses a quiet charm that has steadily gained recognition. He captured the serene beauty of the Dutch countryside, with its windmills, waterways, and grazing cattle, with remarkable sensitivity. De Jongh's landscapes are characterised by their atmospheric perspective and subtle use of light. He expertly conveyed the soft, diffused light of the Dutch skies, creating a sense of depth and realism. His paintings often feature figures engaged in everyday activities, adding a touch of human interest to the scenes. While he remained somewhat outside the mainstream of the Hague School, his dedication to depicting the Dutch landscape aligns him with the movement's core principles. Today, Jan de Jongh's paintings are appreciated for their peacefulness and their authentic portrayal of rural life in the Netherlands. Collectors are drawn to the artist's technical skill and his ability to evoke a sense of nostalgia for a simpler time. His paintings offer a timeless glimpse into the Dutch landscape, making them a welcome addition to any art collection.
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