Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.











A vintage poster design by Maxfield Parrish for 'The Century' magazine's midsummer holiday issue, featuring a nude woman in a stylised landscape. A vibrant and nostalgic piece of American Impressionism.
Maxfield Parrish's 'The Century Midsummer Holiday Number' is a captivating example of late 19th-century American poster art. Created circa 1897, this lithograph served as a promotional image for 'The Century' magazine's August issue, celebrating the midsummer holiday. The artwork features a nude woman seated in a landscape, gazing upwards. The background is a stylised depiction of trees against a vibrant blue sky, rendered with a distinctive, almost dreamlike quality. Parrish's use of colour and composition creates a sense of serenity and escapism, characteristic of the American Impressionist movement. The text is integrated into the design, with 'The Century' in bold, decorative lettering at the top and the issue details at the bottom. As a fine art print, this piece brings a touch of vintage charm and artistic sophistication to any interior. Its vibrant colours and idyllic scene make it a perfect addition to a living room, bedroom, or study, evoking a sense of nostalgia and timeless beauty. The print's historical significance and artistic merit make it a conversation starter and a cherished piece for art lovers.
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Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Maxfield Parrish, the American painter and illustrator, conjured idyllic visions that captivated the early 20th century. More than just pretty pictures, Parrish's works – such as 'Daybreak' (1922) and 'Ecstasy' (1929) – were technical marvels. He revived glazing techniques from the Old Masters, painstakingly layering translucent colours to achieve an almost otherworldly luminosity. This signature 'Parrish blue,' achieved through cobalt pigments, became instantly recognisable and synonymous with his brand of romantic fantasy. While celebrated for his magazine covers, posters, and murals, Parrish's artistic journey wasn't without its critics. Some dismissed his style as overly sentimental or commercial, yet his immense popularity spoke volumes. His images tapped into a yearning for beauty and escapism during a period of rapid industrialisation and social change. He was, in essence, a master of creating accessible art that resonated deeply with the public. Parrish's influence extends beyond the art world. His distinctive colour palette and dreamlike compositions have inspired generations of illustrators, set designers, and even filmmakers. Though tastes may shift, the enduring appeal of Maxfield Parrish lies in his ability to transport viewers to a realm of pure, unadulterated beauty, offering a momentary respite from the everyday.
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