Suicide (Fallen Body) - Andy Warhol
Archival giclée
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Description
A stark, high-contrast silkscreen print from Andy Warhol's Death and Disaster series, exploring the intersection of mass media and tragedy.
This work belongs to the Death and Disaster series, a collection of images Warhol produced during the early 1960s. The source material originates from a press photograph depicting a person who has jumped from a building. Warhol utilised the silkscreen process to transfer this journalistic image onto canvas, repeating the motif to strip away the immediate emotional impact of the original news report.
The composition is split into two distinct zones. On the left, a dark, vertical architectural mass dominates the frame, providing a stark geometric contrast to the lighter, more ethereal space on the right. The figure of the falling person is suspended in this lighter area, rendered in high-contrast black ink against a grainy, grey background. The mechanical nature of the silkscreen process results in a loss of detail, which flattens the image and distances the viewer from the grim reality of the subject matter.
Warhol often sourced these images from newspapers and magazines, selecting scenes of accidents, suicides, and civil unrest. By recontextualising these photographs within the gallery space, he examined how mass media consumption desensitises the public to tragedy. The repetition of the image across various canvases in the series functions as a critique of the endless cycle of news reporting. The work avoids traditional artistic expression, favouring a detached, industrial aesthetic that reflects the coldness of the photographic medium. It remains a stark example of how Warhol engaged with the darker aspects of American culture through the lens of commercial production techniques.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Suicide (Fallen Body) - Andy Warhol
Artist Biography
Andy Warhol
He moved to New York after graduating from Carnegie Tech in 1949 and spent the 1950s as a commercial illustrator. He was successful at it: shoe drawings for I. Miller, album covers, magazine illustrations. The work was loose, charming, and camp. He won awards. But commercial art was not taken seriously, and Warhol wanted to be taken seriously.
The Campbell's Soup Cans came in 1962. Thirty-two canvases, one for each flavour. Then Marilyn, then Elvis, then the car crashes and electric chairs. The technique was silk-screen printing: photographic images transferred to canvas through a mesh screen and printed in flat, commercial colours. The process removed the artist's hand almost entirely, which was the point. Warhol made art that looked like it had been manufactured, in a culture that manufactured everything.
The Factory, his silver-foiled studio on East 47th Street, became the centre of a scene that included musicians, actors, drag queens, socialites, and addicts, sometimes all at once. He made films. He started Interview magazine. He managed the Velvet Underground. He was shot by Valerie Solanas in 1968 and nearly died; he wore a surgical corset for the rest of his life.
His late work, often dismissed, includes the Oxidation Paintings (made with urine on metallic paint), the Shadow series, and the Last Supper paintings. He died in 1987 after gallbladder surgery, at fifty-eight. His estate was valued at around 600 million dollars.
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