Pendulum - Helen Frankenthaler
Archival giclée
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Description
A 1977 abstract work by Helen Frankenthaler, featuring her signature soak-stain technique with soft violet and plum tones against an earthy orange ground.
Pendulum, created in 1977, displays the characteristic soak-stain technique that defined Helen Frankenthaler's contribution to mid-century American art. By thinning acrylic paint to a watercolour-like consistency, she allowed the pigment to permeate the raw canvas rather than sitting on the surface. This method creates a sense of atmospheric depth and fluidity, where the boundaries between colour fields appear soft and permeable.
The composition is dominated by a central, pale violet wash that anchors the work. A darker, saturated plum-coloured form descends from the upper edge, suggesting a weight or gravity that pulls against the lighter background. The surrounding areas of warm, earthy orange provide a contrast to the cooler tones of the central mass. Frankenthaler introduces subtle linear elements across the lower section, which act as a counterpoint to the expansive, organic shapes. These thin, horizontal marks provide a sense of structure, grounding the otherwise ethereal movement of the colour.
Frankenthaler's approach to the canvas was intuitive, often described as a dialogue between the artist and the materials. In this work, the interaction between the diluted paint and the texture of the fabric is visible, allowing the weave of the canvas to remain part of the final aesthetic. The title, Pendulum, suggests a rhythmic, swinging motion, which is reflected in the way the forms seem to oscillate between the top and bottom of the frame. This piece demonstrates her ability to balance large, open areas of colour with precise, minimal interventions, maintaining a sense of equilibrium within the abstract field. It is a clear example of her mature style, where the physical properties of the paint and the support are central to the visual experience.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Pendulum - Helen Frankenthaler
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