Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.











Charles Sheeler's 'One Third of a Nation' (1939) is a Precisionist masterpiece, capturing the stark beauty of urban architecture while subtly referencing the social inequalities of the era. A striking and thought-provoking addition to any home.
Charles Sheeler's 'One Third of a Nation', painted in 1939, is a striking example of Precisionism, an American art movement that emerged in the 1920s. Precisionist artists found beauty in the clean lines and geometric forms of industrial and urban landscapes, celebrating the machine age while often hinting at the social realities beneath the surface. This painting, with its stark architectural forms and muted palette, reflects Sheeler's interest in the underlying structure of the modern world. The title itself, 'One Third of a Nation', is a direct reference to President Franklin D. Roosevelt's second inaugural address, where he highlighted the pervasive poverty and inequality that persisted despite the New Deal efforts. The painting depicts a cluster of buildings, their facades rendered with meticulous detail and a sense of austere geometry. The composition is carefully balanced, with the buildings arranged to create a dynamic interplay of light and shadow. The presence of a vine with white flowers adds a touch of organic beauty to the otherwise stark urban scene, perhaps symbolising resilience and hope amidst hardship. As a fine art print, 'One Third of a Nation' brings a touch of modernist elegance and social commentary to any space. Its clean lines and muted colours make it a versatile addition to both contemporary and traditional interiors, inviting contemplation on the complexities of urban life and the enduring quest for social justice.
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Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Charles Sheeler, a key figure in the American Precisionist movement, wasn't just an artist; he was a visual alchemist, transforming the mundane into the monumental. Born in 1883, Sheeler trained in industrial design and fine arts, a combination that uniquely positioned him to capture the stark beauty of the machine age. While many artists recoiled from the rise of industry, Sheeler found inspiration in the clean lines of factories, skyscrapers, and power plants, distilling them into geometric compositions of almost photographic clarity. Sheeler's artistic journey wasn't confined to painting. He was also a successful commercial photographer, a practice that profoundly influenced his painting style. His photographs, often of architecture and industrial landscapes, served as studies for his paintings, informing their composition and sharp focus. This interplay between photography and painting allowed Sheeler to explore the essence of form and structure, reducing objects to their most fundamental elements. Key works such as 'American Landscape' and 'Classic Landscape' exemplify Sheeler's Precisionist vision. These paintings aren't mere depictions of factories; they are celebrations of American industry, rendered with a cool detachment and an eye for abstract beauty. By bringing the industrial landscape into the realm of fine art, Sheeler challenged viewers to see the world around them in a new light, finding elegance in the everyday.
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