Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










Paul Nash's 'Mineral Objects' (1935) is a striking example of British Surrealism, featuring geometric forms in a muted palette. This fine art print brings a touch of modernist intrigue to any space.
Paul Nash's 'Mineral Objects', painted in 1935, exemplifies his unique brand of British Surrealism. Nash, deeply affected by his experiences in the First World War, sought to capture the underlying strangeness and latent power of the natural world. This painting presents a still life arrangement of seemingly mundane objects – a cylindrical form and a disc with a geometric aperture – set against a backdrop of undulating, abstracted landscape elements. The muted palette of greys, browns, and creams lends a sense of quietude and mystery, while the simplified forms and stark shadows evoke a dreamlike atmosphere. Nash's work often explored the intersection of the organic and the geometric, reflecting his interest in the hidden forces shaping reality. As a fine art print, 'Mineral Objects' offers a sophisticated and thought-provoking addition to any home. Its understated elegance and enigmatic subject matter invite contemplation and add a touch of modernist intrigue to any space, blending seamlessly with contemporary or minimalist decor.
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Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Before his canvases echoed with dreamscapes and wartime desolation, Paul Nash was captivated by the mystical landscapes of his childhood home in Buckinghamshire. This early immersion in nature's enigmatic beauty laid the foundation for his distinctive brand of Surrealism, one deeply rooted in the British countryside rather than Parisian cafes. Nash wasn't just painting what he saw; he was revealing the hidden spirit of the land. Nash sought to capture the 'inner life' of objects and places, blending realism with symbolic representation. His war art, such as 'A Shell Crater', is haunting not for its graphic depiction of violence, but for its evocation of the landscape's wounded psyche. Similarly, works like 'Landscape of the Moon's First Quarter' demonstrate his ability to find the extraordinary in the ordinary, transforming familiar scenes into otherworldly visions. He masterfully walked the line between abstraction and figuration, inviting viewers to contemplate the unseen forces shaping our world. Today, Paul Nash's art continues to resonate with collectors who appreciate his unique blend of British sensibility and Surrealist vision. His landscapes, whether serene or scarred, offer a profound meditation on the relationship between humanity and the environment. Nash's ability to find beauty and meaning in the most unexpected places ensures his place as a vital and enduring voice in British art history.
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