Skip to content Loading

Buy any 3 artworks and save 15%

Museum-grade giclée on FSC-certified paper Framed prints arrive ready to hang Secure checkout Faulty or damaged? We'll replace it free A British studio, printing worldwide

Kabuki Actor Segawa Kikunojō III in a Mad Female Role - Utagawa Toyokuni I

Regular price  £28.00 GBP
Sale price  £28.00 GBP Regular price 
Product: Fine Art Poster
Size: A4 (21x29.7 cm)
Frame: -
Made to order in the UK · delivery usually 3–5 business days · shipping calculated at checkout

Buy any 3 artworks — save 15%

Mix artists, sizes and finishes. Discount applied automatically at checkout.

Archival giclée

Frames arrive ready to hang

Secure checkout

Made to order

Description

A classic ukiyo-e woodblock print by Utagawa Toyokuni I, capturing the kabuki actor Segawa Kikunojō III in an emotive onnagata role.

This woodblock print by Utagawa Toyokuni I depicts the celebrated kabuki actor Segawa Kikunojō III. Within the conventions of the Edo period, male actors frequently performed female roles, known as onnagata. This specific portrayal captures the actor in a mad female role, a common trope in kabuki theatre that allowed for expressive, emotive performance. The figure is shown in a graceful, slightly detached pose, holding a branch of cherry blossoms, which adds a layer of seasonal symbolism to the composition. Toyokuni I was a central figure in the Utagawa school, known for his ability to capture the individual characteristics of actors rather than relying on generic facial types. His work often focused on the theatricality of the stage, using clean lines and a balanced use of colour to define the subject against a neutral background. The kimono worn by the actor features a subtle floral pattern, rendered with precision to suggest the texture of the fabric. The print demonstrates the technical skill of the carvers and printers who collaborated with Toyokuni to produce these images for a wide audience of theatre enthusiasts. As a piece of ukiyo-e, this print functions as both a record of a specific performance and a stylistic exploration of the actor's persona. The composition is uncluttered, allowing the viewer to focus on the posture and the delicate details of the costume. The use of negative space is deliberate, creating a sense of quietude that contrasts with the dramatic nature of the character being portrayed. This work offers a glimpse into the visual culture of late eighteenth-century Japan, where the boundaries between reality and theatrical artifice were fluid and frequently explored through the medium of the printed image.

Return policy

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.

Shipping

We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.

Manufacturing

Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.

Complete The Look
Kabuki Actor Segawa Kikunojō III in a Mad Female Role - Utagawa Toyokuni I - Poster

Kabuki Actor Segawa Kikunojō III in a Mad Female Role - Utagawa Toyokuni I

Regular price  From £28.00 GBP
Sale price  From £28.00 GBP Regular price 
Fine Art Poster / A4 (21x29.7 cm) / -
Utagawa Toyokuni I

Artist Biography

Utagawa Toyokuni I

"My pictures are merely something that I draw, and nothing more than that." Toyokuni's self-assessment was modest to the point of dishonesty. He transformed kabuki actor portraiture from stiff formal likenesses into dynamic images of performers in character on stage, and in doing so built the most commercially powerful woodblock print studio in Edo.

He was born in 1769, the son of a puppet maker. He studied under Utagawa Toyoharu, founder of the Utagawa school, and followed convention by taking one syllable of his master's name. His early work synthesised the styles of Utamaro, Eishi and Choki through close study and relentless practice. By the mid-1790s he had found his own voice. Yakusha Butai no Sugatae (Portraits of Actors in Their Various Roles), a series of large polychrome prints produced between 1794 and 1796, showed kabuki actors costumed and posed on stage rather than seated in formal dress. The series was a commercial triumph and set the standard for actor portraiture for the next generation.

He also excelled at bijin-ga, pictures of beautiful women, establishing compositions that ukiyo-e artists followed for decades. His innovations extended to format: he pioneered the use of diptych, triptych and polyptych arrangements that allowed more complex narrative compositions than the single sheet could hold.

As demand surged, Toyokuni's studio expanded until his personal involvement in each print became nominal. The quality of his later work declined, but the school he built survived him. His two most gifted pupils, Kunisada and Kuniyoshi, became major figures in their own right, and the Utagawa school dominated ukiyo-e production through the final decades of the Edo period. He died in 1825.

Our Features

Designed for Lasting Impact

Specific Features

Every Solis piece is made to order with archival, gallery-quality materials built to last.

  • Museum-grade giclée printing for rich, fade-resistant colour
  • Archival matte fine-art paper, FSC-certified
  • Multiple sizes and framing options available
  • Frames in black, natural wood, dark wood or white
  • Framed prints arrive ready to hang
Care & Cleaning

To keep your artwork looking its best:

  • Dust gently with a soft, dry cloth
  • Avoid prolonged direct sunlight
  • Never use liquid cleaners on the print or canvas surface
  • Keep in a dry, room-temperature space
  • Handle prints with clean, dry hands
Materials & Sizing

Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.

  • Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas: XS (20×30 cm) to Large (60×90 cm)
  • Frames: black, natural wood, dark wood or white

Why Choose Us ?

Premium quality artwork

Printed with museum-grade inks for rich, lasting color.

Meticulous craftsmanship

Solid wood frames assembled with precision and care.

Modern & timeless design

Curated collections that balance trend and longevity.

Crafted with care

Carefully inspected and finished before shipping.

Damage-free delivery guarantee

Fast Shipping

Museum-Quality Materials

Utagawa Toyokuni I portrait

Artist Biography

Utagawa Toyokuni I

"My pictures are merely something that I draw, and nothing more than that." Toyokuni's self-assessment was modest to the point of dishonesty. He transformed kabuki actor portraiture from stiff formal likenesses into dynamic images of performers in character on stage, and in doing so built the most commercially powerful woodblock print studio in Edo.

He was born in 1769, the son of a puppet maker. He studied under Utagawa Toyoharu, founder of the Utagawa school, and followed convention by taking one syllable of his master's name. His early work synthesised the styles of Utamaro, Eishi and Choki through close study and relentless practice. By the mid-1790s he had found his own voice. Yakusha Butai no Sugatae (Portraits of Actors in Their Various Roles), a series of large polychrome prints produced between 1794 and 1796, showed kabuki actors costumed and posed on stage rather than seated in formal dress. The series was a commercial triumph and set the standard for actor portraiture for the next generation.

He also excelled at bijin-ga, pictures of beautiful women, establishing compositions that ukiyo-e artists followed for decades. His innovations extended to format: he pioneered the use of diptych, triptych and polyptych arrangements that allowed more complex narrative compositions than the single sheet could hold.

As demand surged, Toyokuni's studio expanded until his personal involvement in each print became nominal. The quality of his later work declined, but the school he built survived him. His two most gifted pupils, Kunisada and Kuniyoshi, became major figures in their own right, and the Utagawa school dominated ukiyo-e production through the final decades of the Edo period. He died in 1825.
Discover Artist

Frequently Asked Questions

How long does it take to process an order?

Every print is made to order. UK orders typically arrive within 3–5 business days; US and European orders usually take a little longer (around 5 business days). You’ll get a confirmation email as soon as your order is on its way.

Do you ship internationally?

Yes — we currently ship across the UK, US and Europe. Available shipping options and costs are shown at checkout.

What is your return policy?

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.

What are your sizing options?

Most artworks come in a range of formats and sizes:

  • Poster & Framed: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas & Framed Canvas: XS (20×30), Small (30×40), Medium (40×60), Large (60×90 cm)

The available options appear in the dropdowns on each product.

Your cart
Rated 4.7 on Judge.me
Your cart is empty
Have an account? Log in to check out faster.
Continue shopping Continue shopping
Cart total £0.00 GBP
Product image Product information Quantity Product total