Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










A surrealist design by Paul Nash from 1932, 'Design for Urne Buriall and Ghosts' blends ghostly figures and classical ruins in a haunting landscape. A thought-provoking addition to any home.
This intriguing design by Paul Nash, created in 1932, showcases the artist's engagement with surrealism and his fascination with the themes of death and the afterlife. Nash, a prominent figure in British modernism, often incorporated elements of landscape and dreamlike imagery into his work. This particular piece, titled 'Design for Urne Buriall and Ghosts', evokes a sense of mystery and contemplation. The composition features a collection of ghostly figures, classical ruins, and symbolic objects arranged in a haunting, ethereal landscape. The muted colour palette and delicate linework contribute to the overall atmosphere of quiet unease and introspection. As a fine art print, this work would bring a touch of intellectual curiosity and artistic sophistication to any space. Its subtle colours and enigmatic imagery make it a versatile piece that can complement a variety of interior styles, from minimalist to eclectic. It invites viewers to ponder the deeper questions of existence and the enduring power of the past.
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Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Before his canvases echoed with dreamscapes and wartime desolation, Paul Nash was captivated by the mystical landscapes of his childhood home in Buckinghamshire. This early immersion in nature's enigmatic beauty laid the foundation for his distinctive brand of Surrealism, one deeply rooted in the British countryside rather than Parisian cafes. Nash wasn't just painting what he saw; he was revealing the hidden spirit of the land. Nash sought to capture the 'inner life' of objects and places, blending realism with symbolic representation. His war art, such as 'A Shell Crater', is haunting not for its graphic depiction of violence, but for its evocation of the landscape's wounded psyche. Similarly, works like 'Landscape of the Moon's First Quarter' demonstrate his ability to find the extraordinary in the ordinary, transforming familiar scenes into otherworldly visions. He masterfully walked the line between abstraction and figuration, inviting viewers to contemplate the unseen forces shaping our world. Today, Paul Nash's art continues to resonate with collectors who appreciate his unique blend of British sensibility and Surrealist vision. His landscapes, whether serene or scarred, offer a profound meditation on the relationship between humanity and the environment. Nash's ability to find beauty and meaning in the most unexpected places ensures his place as a vital and enduring voice in British art history.
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