Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A powerful woodcut by Hans Baldung Grien depicting the Crucifixion with expressive figures and traditional memento mori symbols.
This woodcut by Hans Baldung Grien depicts the Crucifixion with the characteristic intensity of the Northern Renaissance. Baldung, a pupil of Albrecht Dürer, developed a distinct style that often incorporated expressive, sometimes angular, figures and a sense of dramatic tension. In this composition, Christ occupies the centre, flanked by the sun and moon, which symbolise the cosmic significance of the event. Below, the figures of the Virgin Mary and Saint John the Evangelist are rendered with heavy, flowing drapery that defines their grief through posture and gesture.
The artist employs a bold, graphic approach to line work. The cross itself is stark, and the surrounding terrain includes a skull and bone at the base, traditional memento mori symbols that ground the scene in the reality of death. A small, fortified town appears in the distance, providing a sense of place while maintaining the symbolic nature of the narrative. Baldung uses hatching to create depth and shadow, particularly within the folds of the garments and the musculature of the central figure.
As a printmaker, Baldung was known for his ability to translate complex theological themes into accessible, yet visually demanding, imagery. His work often reflects the transition from the late medieval period to the Reformation, where religious iconography became a subject for personal reflection. The composition is balanced, yet the individual figures possess a raw, emotional quality that distinguishes Baldung from his contemporaries. This print offers a clear view of the technical proficiency required for woodcut production in the early sixteenth century, where every line was carved with precision to ensure clarity in the final impression. The stark contrast between the black ink and the paper surface emphasises the gravity of the subject matter, making it a representative example of German printmaking from this era.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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