A sixteenth-century woodcut by Swiss artist Urs Graf, depicting Christ and his disciples with bold, expressive lines.

This woodcut by the Swiss artist Urs Graf depicts a central figure of Christ surrounded by his disciples. Graf, a goldsmith and printmaker active in Basel, is known for a distinctively raw and energetic graphic style. His work often reflects the turbulent social and religious climate of the early sixteenth century in the Swiss Confederation. The composition is compact, typical of small-scale devotional prints intended for personal use or inclusion in printed books of the period. The lines are bold and direct, characteristic of the woodcut medium where the artist carves away the negative space to leave the image in relief. The figures are rendered with simplified, heavy contours, and the application of colour is rudimentary, suggesting it was hand-applied to the print after the initial black ink impression was pulled. The facial features and drapery folds are executed with a shorthand technique that prioritises clarity and narrative impact over anatomical precision. Graf’s approach to religious subject matter often carries a sense of immediacy. While the scene is traditional, the execution possesses a rugged quality that distinguishes it from the more refined engravings of his contemporaries. The architectural setting is suggested by simple parallel lines, providing a shallow space for the figures to occupy. This print offers a view into the production of popular religious imagery during the Reformation era, where such works were accessible to a wider audience. The work remains a representative example of the graphic output from the Basel workshops, which were centres for print production and book illustration during this period. The physical condition of the print, with its visible paper texture and slight variations in ink density, provides a tactile quality that connects the viewer to the manual process of sixteenth-century printmaking.