A sixteenth-century hand-coloured woodcut by Doen Pietersz. depicting the Flagellation of Christ, typical of early Dutch devotional printmaking.

This hand-coloured woodcut, titled Geseling, depicts the Flagellation of Christ. Attributed to the Dutch printmaker Doen Pietersz., the work originates from the early sixteenth century, a period when small-scale devotional prints were produced for personal meditation. The composition follows traditional iconographic conventions, showing Christ bound to a central column while being struck by an executioner. To the right, a figure in a turban observes the scene, providing a narrative frame common in religious art of the Northern Renaissance.

The print exhibits the characteristic aesthetic of early woodblock production. The lines are bold and functional, designed to define form clearly within a compact space. The application of colour is relatively simple, using primary and secondary tones to distinguish the figures from the architectural background. The executioner is positioned with dynamic energy, his posture conveying the violence of the act, while the figure of Christ remains static and resigned. The inclusion of the artist's monogram, DP, at the base of the column confirms the attribution to Pietersz., who was active in Amsterdam during the first half of the sixteenth century.

Such prints were often bound into prayer books or sold as loose sheets for the laity. They provided a visual aid for the contemplation of the Passion. The physical condition of the print, showing signs of age and handling, suggests its original function as a devotional object. The stark contrast between the figures and the simplified interior space focuses the viewer's attention on the central narrative. This piece offers a clear example of the graphic style prevalent in Dutch printmaking before the influence of later Mannerist trends. It remains a representative specimen of the technical and thematic concerns of the period, demonstrating the role of the woodcut in disseminating religious imagery to a wider audience.