Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Christ and the Adulteress - Pieter Aertsen
Regular price
£28.00 GBP
Sale price
£28.00 GBP
Regular price
Archival giclée
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Description
A masterful Northern Renaissance work by Pieter Aertsen, featuring a detailed market scene in the foreground with a biblical narrative in the distance.
Pieter Aertsen, a master of the Northern Renaissance, is known for his innovative approach to genre painting. In this composition, he employs a technique known as inverted perspective, where the primary biblical narrative is relegated to the background, while the foreground is dominated by a bustling market scene. The viewer is confronted with an abundance of produce, including baskets of vegetables, fruits, and dairy products, rendered with meticulous attention to texture and form.
In the distance, the scene of Christ and the adulteress unfolds. This juxtaposition creates a tension between the mundane activities of daily life and the moral weight of the religious subject. Aertsen uses a muted, earthy palette to ground the scene, allowing the figures in the foreground to emerge with clarity. The lighting is soft, casting gentle shadows across the market stalls and the figures gathered around the goods.
This work reflects the shift in sixteenth-century Dutch art towards secular subjects, even when religious themes remain present. The focus on the material world, the tactile quality of the food, and the varied expressions of the market traders demonstrate Aertsen's ability to observe and record the reality of his time. The composition is structured to lead the eye from the immediate, tangible details of the market towards the smaller, more distant figures, encouraging a contemplation of the relationship between the sacred and the profane. The painting remains a significant example of how artists of the period integrated moral instruction with the observation of everyday life, creating a complex visual dialogue that invites careful examination of both the foreground and the background elements.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Christ and the Adulteress - Pieter Aertsen
Regular price
From £28.00 GBP
Sale price
From £28.00 GBP
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Pieter Aertsen
Aertsen invented the inverted still life. In A Meat Stall with the Holy Family Giving Alms (1551), enormous joints of meat and sausages fill the foreground while the biblical scene is barely visible through a window in the background. It was a radical reversal of pictorial hierarchy: the sacred was pushed to the margin, and the everyday became monumental.
He was born in Amsterdam around 1508 and was known as "Lange Piet" (Tall Pete) because of his height. He apprenticed under Allaert Claesz in Amsterdam before moving to Antwerp, where he became a citizen in 1542 and worked for roughly fifteen years. His market and kitchen scenes placed food, cookware and domestic labour at enormous scale, transforming genre subjects into something approaching history painting's physical presence.
He married Kathelijne Beuckelaar, and three of their eight children became painters. His nephew and pupil Joachim Beuckelaer continued and developed his distinctive format. Many of Aertsen's later religious paintings were destroyed during the Beeldenstorm, the wave of Protestant iconoclasm in 1566. He returned to Amsterdam around 1556 and died there in 1575. His monumental kitchen and market scenes anticipate the still-life painting of the seventeenth century by half a century, and his compositional strategy of hiding the sacred behind the secular continues to generate scholarly argument about his intentions.
He was born in Amsterdam around 1508 and was known as "Lange Piet" (Tall Pete) because of his height. He apprenticed under Allaert Claesz in Amsterdam before moving to Antwerp, where he became a citizen in 1542 and worked for roughly fifteen years. His market and kitchen scenes placed food, cookware and domestic labour at enormous scale, transforming genre subjects into something approaching history painting's physical presence.
He married Kathelijne Beuckelaar, and three of their eight children became painters. His nephew and pupil Joachim Beuckelaer continued and developed his distinctive format. Many of Aertsen's later religious paintings were destroyed during the Beeldenstorm, the wave of Protestant iconoclasm in 1566. He returned to Amsterdam around 1556 and died there in 1575. His monumental kitchen and market scenes anticipate the still-life painting of the seventeenth century by half a century, and his compositional strategy of hiding the sacred behind the secular continues to generate scholarly argument about his intentions.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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