Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.











Théophile Steinlen's 1894 lithograph poster, 'A la Bodinière, 18 Rue St. Lazare', showcases his iconic feline imagery and Art Nouveau style, advertising an exhibition with elegant simplicity and timeless appeal.
This striking lithographic poster, created in 1894 by the Swiss-born French artist Théophile Steinlen, advertises an exhibition at A la Bodinière, located at 18 Rue St. Lazare. Steinlen, renowned for his contributions to Parisian artistic life, particularly his depictions of cats and working-class subjects, encapsulates the essence of Art Nouveau in this piece. The poster features two cats: a sleek black cat standing guard above a calico cat curled below. The composition is simple yet elegant, with bold lettering announcing the exhibition details. The colour palette is restrained, focusing on black, tan, and cream, which adds to the poster's timeless appeal. Steinlen's signature is subtly incorporated, reflecting his mastery of integrating text and image. As a fine art print, this poster brings a touch of Parisian charm and historical significance to any space. Its elegant design and muted tones make it a versatile addition to various interior styles, from classic to contemporary. Perfect for cat lovers and art enthusiasts alike, this print adds a sophisticated and cultured touch to your home.
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Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Théophile Steinlen, though Swiss by birth, became deeply entwined with the Parisian art scene, particularly during the Belle Époque. Unlike many of his Art Nouveau contemporaries who focused on ethereal beauty, Steinlen used his artistic talents to depict the realities of Parisian life, especially the lives of the working class. He captured the energy of the streets, the charm of Montmartre’s cabarets (his poster for the Chat Noir cabaret is iconic), and the quiet dignity of ordinary people. Steinlen's work wasn't just aesthetically pleasing; it often carried a strong social commentary. He was a keen observer of poverty and inequality, and his illustrations frequently appeared in socialist journals, highlighting the plight of the less fortunate. This commitment to social justice, combined with his artistic skill, made him a popular and influential figure in his time. His paintings, drawings, and posters weren't confined to galleries; they were accessible to the masses, plastered on walls and circulated in publications. Beyond his human subjects, Steinlen had a particular fondness for cats, portraying them with an empathy and understanding that few artists have matched. They appear in his posters, illustrations, and paintings, sometimes as playful companions, sometimes as symbols of independence and resilience. Théophile Steinlen's legacy lies in his ability to blend artistic beauty with social consciousness, leaving behind a body of work that is both visually captivating and deeply meaningful.
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