Where to See Brassai

To view works associated with the Bauhaus movement, visit the following collections and museums: In Germany, visit the Bauhaus-Archiv, Museum für Gestaltung (Klingelhöferstr. 14, D-10785 Berlin); Stiftung Bauhaus Dessau (Gropiusallee 38, D-06846 Dessau); Stiftung Meisterhäuser Dessau, Meisterhaus Kandinsky - Klee (Ebertallee 69-71, D-06846 Dessau); Klassik Stiftung Weimar/Bauhaus-Museum (Theaterplatz, D-99423 Weimar); and Bauhaus-Museum Weimar (Am Theaterplatz, D-99423 Weimar). In Switzerland, see the Zentrum Paul Klee Bern (Monument im Fruchtland 3, Postfach, 3000 Bern 31). In the United States, visit the Busch-Reisinger Museum (32 Quincy Street, Cambridge, MA 02138); The Josef and Anni Albers Foundation (88 Beacon Road, Bethany, CT 06524); and The Moholy-Nagy Foundation (1204 Gardner Avenue, Ann Arbor, MI. 48104). In Japan, view collections at the Utsunomiya Museum of Art (1077 Nagaoka-cho, 320-0004 Utsunomiya); and the Misawa Bauhaus Collection (1-1-19 Takaido-nishi, Suginami-ku Tokio).

Gyula Halasz (1899^[1]-1984^[1]), who worked under the name Brassai, was a Hungarian^[1]-French photographer, sculptor, draughtsman, filmmaker, and writer. He moved to Paris in 1924^[1], and by 1930, he was photographing the city at night. Brassai's photographs appear candid; however, his subjects were often aware of his presence and posed. His 1933 book *Paris de Nuit* (Paris by Night) gained worldwide distribution. He worked as a freelance photographer for publications such as *Minotaure* and *Harper's Bazaar*. Brassai also portrayed cultural figures, such as Salvador Dali, Henri Matisse, Henry Miller, and Pablo Picasso. In photography, the term "vintage print" refers to one made around the time the negative was taken. A "period print" is one made within ten to fifteen years of the shot. A "modern print" is a recent print from the original negative. An "original print" is one made by the artist or under their supervision. The market considers individual execution important to a photograph's originality. The photographer's signature acknowledges the image's conformity to their idea. The practice of restricting print runs was not common among Brassai's generation.

Brassai, born Gyula Halasz (1899^[1]-1984^[1]), is important for his photographs of 1930s Parisian nightlife. His 1933^[1] book, *Paris de Nuit*, gained worldwide distribution, and he photographed cultural figures such as Salvador Dali, Henri Matisse, Henry Miller, and Pablo Picasso. Brassai moved to Paris in 1924, working as a journalist. By 1930, he was photographing Paris at night, recording images of empty streets, plus the city's cafes, dance halls, criminals, homosexuals, transvestites and prostitutes. Though his photographs appear candid, his subjects often posed. His photos of brothels, gay and lesbian clubs, and masked balls document the sexual activities of Parisian nightlife. Like the Surrealists, Brassai followed the tradition of the journalistic voyeur-observer, gathering material as he explored the city. Brassai was also a sculptor, draughtsman, set designer, writer, and filmmaker. His 1956 film *Tant qu'il y aura des betes* won a prize at the Cannes Film Festival. A retrospective of his work was held at the Museum of Modern Art, New York, in 1968.

Brassai, born Gyula Halasz, was a multifaceted artist who worked across several media. Although best known for his photography, he was also a sculptor, draughtsman, set designer, writer, and filmmaker. Primarily, Brassai is known for his photographs of Paris, especially his images of the city at night. He captured scenes of bohemian life, including cafés, dance halls, and the city's demimonde. His 1933^[1] book, *Paris de Nuit*, brought him international recognition. These photographs, while appearing candid, often involved posed subjects. Beyond photography, Brassai explored other artistic avenues. He created set designs and directed the film *Tant qu'il y aura des bêtes*, which won a prize at the Cannes Film Festival in 1956. He also published books, such as *Conversations avec Picasso* (1964), drawing on his relationships with prominent artistic figures. His work also included a series on Parisian graffiti.

Brassai, born Gyula Halasz, was a Hungarian^[1] photographer, sculptor, writer, and filmmaker who moved to Paris in 1924^[1]. He is known for his photographs of Parisian nightlife, and his work appeared in publications such as *Harper's Bazaar* and the Surrealist journal *Minotaure*. He also portrayed cultural figures such as Salvador Dali, Henri Matisse, Henry Miller, and Pablo Picasso. His 1933 book *Paris de Nuit* (Paris by Night) was distributed worldwide and influenced many photographers. His photographs documented early 1930s Parisian nightlife, including brothels, gay and lesbian clubs, and masked balls. Brassai's photographs illustrate the intersection of scientific and popular interest. Like the Surrealists, he followed the 19th-century realist tradition of the journalistic voyeur-observer, the *flâneur* who perambulates the city, gathering material. Photographer Henri Cartier-Bresson, who began as a Cubist painter before turning to photography in 1932, captured what he called the decisive moment. Many of Cartier-Bresson's photographs have a Surrealist element of the unexpected.

Brassai, born Gyula Halasz, had several artistic influences. He studied art in Budapest and Berlin, where he encountered Vasily Kandinsky, Oskar Kokoschka, and Laszlo Moholy-Nagy. These figures likely shaped his early artistic development. Later, after moving to Paris in 1924^[1], Brassai became associated with Surrealist circles. He worked for publications such as the Surrealist journal Minotaure. His contact with cultural icons like Salvador Dali, Henri Matisse, Henry Miller, and Pablo Picasso also had an impact. His photography, particularly his documentation of Parisian nightlife, captured both solitary scenes and the city's bohemian subculture. Though his photographs appear candid, his subjects were often aware of his presence. Some critics have noted similarities between his images and the metaphysical painting of Giorgio de Chirico. Brassai's work also intersected with that of Man Ray, another photographer associated with the Surrealists.

Brassai, born Gyula Halasz, gained recognition for his photographs of Paris. His most famous work is arguably the 1933^[1] book, *Paris de Nuit* (Paris by Night). This collection captured the nocturnal atmosphere of the city. Brassai photographed empty streets, as well as the activities within cafes, dance halls, and the city's hidden underworld. These images documented the lives of criminals, homosexuals, transvestites, and prostitutes. Brassai's photographs, while appearing spontaneous, often involved the subjects posing, aware of his presence. Later, he released *The Secret Paris of the '30s*, which contained photographs from this period. Brassai also photographed cultural figures such as Salvador Dali, Henri Matisse, Henry Miller, and Pablo Picasso. These contacts later led to publications such as *Conversations avec Picasso* (1964). His other projects included a series on Parisian graffiti and documentary images from his travels. Brassai was also a sculptor, draughtsman, set designer, writer, and filmmaker.

Brassai, born Gyula Halasz in 1899^[1], is associated with several artistic styles. He worked as a freelance photographer for publications ranging from the Surrealist journal Minotaure to Harper's Bazaar. Brassai's photography documented Parisian nightlife in the 1930s, including brothels, gay and lesbian clubs, and masked balls. His work illustrates the intersection of scientific and popular interest in sexuality. Like the Surrealists, he followed the 19th-century realist tradition of the journalistic voyeur-observer, gathering material while perambulating the city. His 1933^[1] book, Paris de Nuit, contains photographs characterised by a voyeur's delight in the unusual and forbidden. Brassai also portrayed cultural figures such as Salvador Dali, Henri Matisse, Henry Miller, and Pablo Picasso. His contact with these figures led to publications such as Conversations avec Picasso (1964). In addition to photography, Brassai was a sculptor, draughtsman, set designer, writer, and filmmaker.