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Maurizio Cattelan
b. 1960 · Italian

Maurizio Cattelan

Maurizio Cattelan, born in Padua, Italy, in 1960, built his artistic career without formal training. He began working in furniture design before turning his attention to art, developing a practice defined by irreverence and a sharp wit. His conceptual sculptures frequently challenge viewers, often using humour and shock to question established norms. This approach became a hallmark of his controversial output.

Held in 2 museums

Portrait of Maurizio Cattelan

Biography

One notable example is "La Nona Ora" (The Ninth Hour) from 1999, which portrays Pope John Paul II struck by a meteorite. This work generated considerable discussion, demonstrating Cattelan's willingness to confront religious authority directly. He often employs effigies and taxidermy, twisting familiar images into unsettling or comical forms. His pieces invite reflection on power, belief, and popular culture.

More recently, Cattelan captured global attention with "Comedian" (2019), a ripe banana duct-taped to a gallery wall. Sold for US$120,000 at Art Basel Miami Beach, the piece sparked widespread debate about art's value and definition. It illustrates his ongoing interest in subverting expectations and commenting on the mechanisms of the art market itself. Cattelan consistently pushes boundaries, making his work memorable.

Timeline

  1. 1960Born in Padua, Italy.
  2. 1999Created "La Nona Ora" (The Ninth Hour), depicting Pope John Paul II struck by a meteorite.
  3. 2019Created "Comedian", a banana duct-taped to a wall, which sold for US$120,000 at Art Basel Miami Beach.

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Frequently Asked Questions

  • What is Maurizio Cattelan known for?
    Maurizio Cattelan is known for his irreverent and witty conceptual sculptures. His pieces often employ humour and shock to question established norms, inviting reflection on power, belief, and popular culture.
  • What is Maurizio Cattelan's most famous work?
    Maurizio Cattelan's most famous work is *La Nona Ora* (The Ninth Hour), created in 1999. The work depicts Pope John Paul II struck down by a meteorite. The life-size sculpture includes broken glass scattered on a red carpet, suggesting a sudden impact. The Pope is shown still clutching his ceremonial cross. The title refers to the Liturgy of the Hours in the Catholic Church, specifically the hour of Christ’s death. The work has been interpreted in many ways, some seeing it as an attack on the Catholic Church, others as a commentary on the vulnerability of established power. Cattelan has stated that the work was not intended to be anti-Catholic, and some critics view it as ambiguous rather than sacrilegious. The sculpture has provoked strong reactions, both positive and negative, since it was first exhibited.
  • What should I know about Maurizio Cattelan's prints?
    Maurizio Cattelan is an Italian artist known for his satirical sculptures and installations. His art often employs humour to question social norms and challenge authority. Cattelan's prints sometimes document or relate to his larger installation projects. For example, *Don't Forget to Call Your Mother* (2000) exists as a Cibachrome print mounted on Plexiglas, in an edition of ten. Many of his works carry double meanings, inviting viewers to reconsider familiar aspects of the human condition. His work *La Nona Ora* (1999), an installation featuring a wax figure of Pope John Paul II struck by a meteorite, generated significant controversy. When first exhibited at Kunsthalle Basel, it was seen as an attack on the Pope. During a later display in Warsaw, Poland, the President and clergymen publicly stated that the work represented the spiritual burden placed on the Pope by God. Despite this, the gallery's director resigned after protests. Cattelan has said that reactions transform artworks, changing their shape and reception.
  • What style or movement did Maurizio Cattelan belong to?
    Maurizio Cattelan, born in Padua, Italy, in 1960, is associated with conceptual art. His hyperrealistic sculptures often incorporate humour and satire to encourage viewers to question social norms. Cattelan's work follows in the tradition of Marcel Duchamp, the Dadaists, and Italian harlequin jokers. He adopts the role of a jester or trickster, challenging authority and exposing contradictions within modern life. Cattelan's sculptures provoke strong reactions. For example, his 1999 work *La Nona Ora* (The Ninth Hour) depicts Pope John Paul II struck down by a meteorite. The work generated considerable controversy, particularly in Poland, a Catholic country. Some viewed it as an attack on the Pope, while others interpreted it as an allegory for the spiritual burdens he carried. Cattelan embraces these diverse reactions, seeing them as integral to the artwork's meaning and reception. He has had solo exhibitions at the Wiener Secession, Vienna (1997); Le Consortium, Centre d'Art Contemporain, Dijon (1997); and the Kunsthalle Basel (1999).
  • What techniques or materials did Maurizio Cattelan use?
    Maurizio Cattelan is known for his use of unconventional materials and provocative techniques. His work often employs hyperrealism to create unsettling or darkly humorous effects. Cattelan frequently uses taxidermied animals in his sculptures. Examples include "Bidibidobidiboo" (1996), a squirrel posed at a kitchen table, and "Untitled" (2007), featuring taxidermied pigeons. These animals are presented in ways that challenge viewers' expectations. Another common technique is the use of wax figures. Cattelan's wax sculptures often depict historical or contemporary figures in controversial scenarios. "La Nona Ora" (1999) shows Pope John Paul II struck by a meteorite. "Him" (2001) presents a kneeling Adolf Hitler. These works are intended to provoke thought about power, history, and morality. Cattelan also utilises readymade objects and installations to create his art. He is not limited to traditional artistic mediums. His work often involves a high degree of planning and collaboration with skilled artisans, even if the final product appears simple or spontaneous.
  • What was Maurizio Cattelan known for?
    Maurizio Cattelan, born in Padua in 1960, is an Italian artist known for his hyperrealistic sculptures and installations. His works often employ humour and satire to challenge social customs and question authority. Cattelan follows in the tradition of Marcel Duchamp and the Dadaists, using his art to reveal uncomfortable contradictions within modern life. Cattelan's art frequently provokes strong reactions and compels viewers to reconsider familiar human shortcomings. He claims his work holds a mirror up to society, investigating aspects of the human condition with double meanings and ambiguity. One of Cattelan's most discussed pieces is *La Nona Ora* (1999), featuring a lifelike sculpture of Pope John Paul II struck down by a meteorite. The work generated considerable controversy, particularly in Poland, a largely Catholic country. Some viewed it as an attack on the Pope, while others interpreted it as an allegory for the spiritual burden placed on him. Despite the varied interpretations, Cattelan has maintained that the work was never intended to be anti-Catholic.
  • When did Maurizio Cattelan live and work?
    Maurizio Cattelan is an Italian artist born in 1960. He is known for his satirical sculptures and installations. In 1999, Cattelan gained international attention for *La Nona Ora* (The Ninth Hour), a sculpture depicting Pope John Paul II struck down by a meteorite. This work generated both acclaim and controversy. Another of Cattelan's well-known pieces is *Him* (2001), a sculpture that appears to be a child kneeling in prayer, but upon closer inspection, reveals the face of Adolf Hitler. Cattelan's work often challenges conventional notions of art, history, and authority. He has exhibited extensively in museums and galleries around the world. He has lived and worked primarily in Milan and New York.
  • Where can I see Maurizio Cattelan's work?
    Maurizio Cattelan's artworks have appeared in many international museums. These include the Tate Modern in London, which holds his *Brillo Box* (1964). The National Gallery of Art in Washington, DC, exhibits his *Elvis* (1963). The Musée National d’Art Moderne, at the Centre National d’Art et de Culture Georges Pompidou in Paris, also holds examples of his output. Other museums that have Cattelan pieces include the Metropolitan Museum of Art in New York, and the Rijksmuseum in Amsterdam. Many museums have online catalogues of their holdings; these may be useful for planning a visit or verifying that specific works are on display. Due to the nature of contemporary art installations, Cattelan's pieces may sometimes be on loan or in storage, so checking directly with the museum is advisable.
  • Where was Maurizio Cattelan from?
    Maurizio Cattelan was born in Padua, Italy, in 1960. He is known for his conceptual sculptures and actions, often infused with humour and satire. Cattelan challenges contemporary society through his art, acting as a jester or trickster to question authority and reveal contradictions. He currently lives in New York. Cattelan's work has been exhibited extensively in Europe and New York. Solo exhibitions include shows at the Wiener Secession in Vienna (1997), Le Consortium, Centre d'Art Contemporain in Dijon (1997), Castello di Rivoli, Museo d'Arte Contemporanea in Turin (1997), The Museum of Modern Art, New York (1998), Kunsthalle Basel (1999), and Migros Museum, Museum fur Gegenwartskunst in Zurich (2000). In 1997, he represented Italy at the Venice Biennale, along with Enzo Cucchi and Ettore Spalletti.
  • Who did Maurizio Cattelan influence?
    Identifying direct influence in art is complex. Some critics suggest influence is overstated to promote artists, while others see it as a genuine connection. Marcel Duchamp is often cited as an important figure for Conceptual artists. Bruce Nauman created his own version of Duchamp's "Fountain" (1917), and Sherrie Levine made a bronze urinal titled "Fountain/After Marcel Duchamp" (1991). By 1989, the Menil Collection Museum held an exhibition dedicated to the fountain/urinal theme, demonstrating Duchamp's impact. Conceptual and performance artists took Duchamp seriously. These include Bruce Nauman, who worked with neon; Laurie Anderson, who played neo-Dada music; Bill Viola, who produced experimental videos; Vito Acconci, known for public performances; and Robert Gober, who created replicas of everyday objects. Dada also had an impact. Robert Rauschenberg embraced raw materiality, and Pop artists Richard Hamilton and James Rosenquist used mass media in their work. The "anti-art" stance of Dada influenced later generations.
  • Who was Maurizio Cattelan?
    Maurizio Cattelan, born in Padua, Italy, in 1960, is a sculptor known for his humorous and often controversial conceptual works. He currently lives in New York. Cattelan follows in the tradition of Marcel Duchamp and the Dadaists, using humour and satire to challenge contemporary society. He adopts the role of a jester or trickster, questioning authority and exposing uncomfortable contradictions in modern life. Cattelan's sculptures and actions have been exhibited extensively in Europe and New York. These include solo shows at the Wiener Secession in Vienna (1997), the Kunsthalle Basel (1999), and the Migros Museum in Zurich (2000). He represented Italy at the Venice Biennale in 1997, along with Enzo Cucchi and Ettore Spalletti. One of Cattelan's most well-known pieces is *La Nona Ora* (The Ninth Hour) from 1999. This work depicts Pope John Paul II struck down by a meteorite. The piece provoked strong reactions, initially interpreted as an attack on the pontiff. However, it can also be seen as a tragicomic representation of universal knowledge felled by a random cosmic event. Cattelan has always maintained that the work was never meant to be anti-Catholic.
  • Why are Maurizio Cattelan's works important today?
    Maurizio Cattelan is an Italian artist known for his satirical sculptures and installations. Born in Padua in 1960, he began his career with little formal training. His work often provokes strong reactions, using humour and irreverence to question authority and explore social issues. Cattelan's pieces frequently involve appropriation and re-contextualisation. For example, "La Nona Ora" (1999) depicts Pope John Paul II struck down by a meteorite. This sculpture generated considerable controversy for its depiction of a religious figure in a vulnerable state. Similarly, "Him" (2001) presents a kneeling Adolf Hitler, forcing viewers to confront the banality of evil. His art is important because it challenges conventional thinking. Cattelan uses unsettling imagery to encourage dialogue about power, religion, and history. His work is not always easily understood; it demands engagement and critical reflection. By employing shock tactics and dark humour, he compels audiences to examine their own beliefs and assumptions. Cattelan's art remains relevant because it continues to spark debate and force uncomfortable conversations.

Sources

Editorial draws on the following primary and tertiary references for Maurizio Cattelan.

  1. [1] book Susie Hodge, ArtQuake Used for: biography.
  2. [2] book Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author, Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author - The Art Book_ New Edition, Mini Format Used for: biography.
  3. [3] book guggenheim-hugobo00acco Used for: biography.

Editorial overseen by Solis Prints. Sources verified 2026-07-02. Click a source for details, or hover over [N] in the page above to preview.

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