Flatford Mill from the Lock by John Constable
Branch Hill Pond, Hampstead Heath by John Constable
Hampstead Heath by John Constable
Boat-building near Flatford Mill by John Constable
Flatford Mill from a Lock on the Stour by John Constable
Landscape with Two Horses and a Brook by John Constable
Landscape by John Constable
A Landscape near East Bergholt, Evening by John Constable
Landscape (possibly the Stour valley) by John Constable
Hilly Landscape by John Constable
Arundel Mill and Castle by John Constable
A Cart on a Lane at Flatford by John Constable

John Constable

1776–1837 · British

Constable painted the same few miles of the Suffolk-Essex border for most of his career. The area around East Bergholt, Flatford Mill, and Dedham Vale. His father owned the mill. He knew the landscape the way a farmer knows it: which fields flooded, how the clouds moved before rain, where the light fell at different times of year. He painted skies so accurately that the meteorologist Luke Howard used them as scientific illustrations.

Key facts

Lived
1776–1837, British
Movement
Works held in
42 museums[1]

Biography

He was not fashionable. The Royal Academy made him wait until he was fifty-two for full membership, which was unusually late and deliberately insulting. He never went abroad. He never painted Italy or Greece or the grand historical subjects that the Academy valued. He painted English fields, English weather, and English elms, and he did it with a physical urgency that his contemporaries found uncomfortable.

His technique was more radical than his subjects. The six-foot canvases (The Hay Wain, The Leaping Horse, Salisbury Cathedral from the Meadows) were painted with visible, broken brushwork and flecked with white highlights that he called 'snow': tiny dabs of pure white that made the surface glitter like wet leaves. Other painters complained about the white. French painters, particularly Delacroix, paid closer attention.

The Hay Wain was shown at the Paris Salon in 1824 and won a gold medal. Delacroix saw it and repainted parts of The Massacre at Chios before the exhibition opened, loosening his brushwork in response. Constable influenced the Barbizon School and, through them, the Impressionists. He did not live to see any of this. He died in 1837, at sixty, still painting Dedham Vale.

Timeline

  1. 1776Born in East Bergholt, Suffolk; father owned Flatford Mill
  2. 1799Entered Royal Academy Schools aged 23
  3. 1816Married Maria Bicknell aged 40 against her family's wishes
  4. 1821Painted The Hay Wain aged 45
  5. 1824The Hay Wain won gold medal at Paris Salon aged 48; influenced Delacroix
  6. 1828Maria died of tuberculosis; Constable aged 52, left with seven children
  7. 1829Finally elected full Royal Academician aged 52, after years of rejection
  8. 1837Died in Hampstead, London, aged 60

Where to See John Constable

27 museums worldwide.

Plan your visit →
  • Victoria and Albert Museum

    Cromwell Road, United Kingdom

    110 works
  • Yale Center for British Art

    New Haven, United States

    65 works
  • National Gallery

    Trafalgar Square, United Kingdom

    66 works
  • Philadelphia Museum of Art

    Philadelphia, United States

    27 works
  • Tate

    Tate Britain, United Kingdom

    44 works
  • Royal Academy of Arts

    Piccadilly, United Kingdom

    18 works

Plan your visit to see John Constable →

Frequently Asked Questions

  • Did john constable have children?
    The provided passages do not contain information about whether John Constable had children; therefore, the answer is null.
  • Did john constable sign his paintings?
    The provided passages do not contain information about whether John Constable signed his paintings; therefore, the answer is null.
  • Is john constable a romantic painter?
    The passages suggest that John Constable's paintings have a nostalgic air and reflect memories of a disappearing rural pastoralism.
  • John constable art movement?
    The passages do not explicitly mention John Constable's art movement, but his work was unusual for its time. Views of ordinary people and places were not esteemed topics in the early 1800s.
  • Was john constable an impressionist?
    The biography mentions that John Constable influenced the Impressionists, but it does not state that he was an Impressionist himself. He did influence the loosening of brushwork in paintings.
  • Was john constable married?
    The provided passages do not contain information about whether John Constable was married; therefore, the answer is null.
  • When did john constable die?
    John Constable died in 1837 at the age of 61.
  • When did john constable live?
    John Constable lived from 1776 to 1837.
  • When did john constable start painting?
    The passages do not contain information about when John Constable started painting; therefore, the answer is null.
  • Who was john constable's wife?
    The provided passages do not contain information about who John Constable's wife was; therefore, the answer is null.
  • Why did john constable paint the hay wain?
    John Constable painted The Hay Wain to reflect his memories of a disappearing rural pastoralism. Many of the scenes he painted, including The Hay Wain, depict his father's rural land.
  • Why is john constable famous?
    John Constable is famous for achieving natural and lifelike effects in his paintings through close study of his surroundings. He applied a wide range of greens, as seen in nature.

Sources

Editorial draws on the following primary and tertiary references for John Constable.

  1. [1] museum Toledo Museum of Art Used for: museum holdings.
  2. [2] museum Courtauld Gallery Used for: museum holdings.
  3. [3] museum Currier Museum of Art Used for: museum holdings.
  4. [4] museum Lázaro Galdiano Museum Used for: museum holdings.
  5. [5] museum Scottish National Gallery Used for: museum holdings.
  6. [6] museum Barber Institute of Fine Arts Used for: museum holdings.
  7. [7] book Susie Hodge, Art Used for: biography.
  8. [8] book Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author, Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author - The Art Book_ New Edition, Mini Format Used for: biography.
  9. [9] book Masterpieces of western art : a history of art in 900 individual studies from the Gothic to the present day Used for: biography.

Editorial overseen by Solis Prints. Sources verified 2026-05-31. Click a source for details, or hover over [N] in the page above to preview.

Back to Discover