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  National Gallery of Canada

  Rideau-Vanier Ward, Canada

  1 works

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Plan your visit to see Charles Ginner →

• What is Charles Ginner known for?+

  Charles Ginner is known for his paintings of London streets and interiors. These paintings used a thick, mosaic-like application of paint, influenced by Van Gogh and Cezanne.
• What is Charles Ginner's most famous work?+

  Charles Ginner, born in Cannes, France, in 1878, is known for his involvement with several British art groups, including the Camden Town Group and the London Group. He studied painting at the Académie Vitti and the École des Beaux-Arts before moving to England in 1908. Ginner exhibited with the Allied Artists' Association (AAA) and later became a founder member of various art groups. His painting *Victoria Embankment Gardens*, completed in 1912, is among his best-known works. It shows the influence of Vincent van Gogh, particularly van Gogh's *Arles Garden* paintings. The work features pastel colours in the sky, reminiscent of Claude Monet, and reflects Ginner's interest in painting distinctly English subjects. Earlier, in 1908, his *Tache decorative-tulipes* drew attention for its use of thick impasto and brilliant colours, influenced by Anglade y Camarasa. Another notable work, *The Wild Ducks* (1911/12), demonstrates Ginner's meticulous technique, using small touches of thick paint in pure colour to define every detail.
• What should I know about Charles Ginner's prints?+

  Charles Ginner was a British painter, influenced by Post-Impressionism. He is best known as a member of the Camden Town Group and for his urban scenes. While Ginner is primarily known for his oil paintings, he also produced a limited number of prints. These prints, like his paintings, often depict cityscapes and architectural subjects. He favoured linocuts and woodcuts, which suited his interest in bold forms and strong contrasts. Ginner's prints are characterised by their simplified shapes and attention to detail. They show an interest in the textures of buildings and the effects of light and shadow. His approach to printmaking aligns with his "Neo-Realist" aesthetic, which aimed to capture the essence of modern life through careful observation. His prints offer a more accessible entry point for collectors interested in his work, compared to his more expensive paintings. They provide insight into his artistic vision and his engagement with urban themes.
• What style or movement did Charles Ginner belong to?+

  Charles Ginner, born in Cannes in 1878, is associated with several early twentieth-century British art movements. He studied painting in Paris, and in 1908, he moved to London. There, he joined the Fitzroy Street Group and became a founder member of the Camden Town Group. Later, he also helped found the London Group and the Cumberland Market Group. Ginner's early work shows the influence of his teachers, particularly Anglade y Camarasa. His painting Tache decorative - tulipes (1908) demonstrates his use of thick impasto and brilliant colours, a handling that impressed others when he exhibited with the Allied Artists' Association in 1908. In 1911, Ginner visited Paris with Harold Gilman and saw the Bernheim Collection. He was particularly struck by the work of Van Gogh. His 1912 painting Victoria Embankment Gardens shows the influence of Van Gogh's Arles garden paintings. However, Ginner sought to paint distinctly English subjects, including London scenes. In January 1914, Ginner published a manifesto for Neo-Realism in The New Age. He aimed to move away from what he saw as imitative painting based on Van Gogh, Gauguin and Cézanne. He wished to focus on the study of nature and technique.
• What techniques or materials did Charles Ginner use?+

  Charles Ginner employed a range of techniques and materials in his art. Technical knowledge informs art history, and it is essential to understand the processes used by artists. Artists make important choices that stand outside the constraints of the materials. Understanding the interface between the qualities of medium and technique and the aesthetic decisions made by the artist is important. Some of the printmaking techniques available to artists include woodcut, metal engraving, and etching. In woodcut, the image is transferred from the raised areas of a wood block onto paper; areas of the block are cut away with a knife, chisel, or gouge. Metal engraving involves gouging lines of the design out of a metal plate with a burin. Etching is an intaglio process where a metal plate is coated with acid-resistant wax, the image scratched into the wax, and the plate placed in an acid bath.
• What was Charles Ginner known for?+

  Charles Ginner (born in Cannes, France, 1878; died in 1952) is known as a painter of still-life and London scenes. He studied at the Académie Vitti and the École des Beaux-Arts. Ginner arrived in London around 1908, where he met Harold Gilman and joined the Fitzroy Street Group. He was also a founder member of the Camden Town Group, the London Group, and the Cumberland Market Group. He took Gilman to Paris in 1911, and the two artists became close friends. Ginner's early still lifes, such as *Tache decorative - tulipes* (1908), display a Post-Impressionist influence. The critic Frank Rutter noted Ginner's talent, and Judge William Evans, a patron of the Fitzroy Street Group, acquired an early sketch. Ginner's *Victoria Embankment Gardens* (1912) shows the influence of Van Gogh and Monet, but also reflects his interest in painting specifically English subjects. Ginner formulated a theory of Neo-Realism, published in *The New Age* in January 1914, with the intention of moving away from what he saw as imitative painting based on Van Gogh, Gauguin, and Cézanne.
• When did Charles Ginner live and work?+

  Charles Ginner was born in Cannes, France, in 1878. He began his career working in an architect's office. From 1904 to 1908, he studied painting at the Académie Vitti under Gervais, then at the École des Beaux-Arts, and again at Vitti under Anglade y Camarasa. Ginner moved to England in 1908. There, he joined the Fitzroy Street Group and became a founder member of the Camden Town Group, the London Group, and the Cumberland Market Group. In 1911, he took Harold Gilman to Paris; the two artists became close friends. Ginner exhibited with the Indépendants Anglais at the Galerie Barbazanges in 1912. With Gilman, he exhibited as a Neo-Realist in 1914 and published a manifesto for Neo-Realism in *The New Age* in January 1914. He became an ARA (Associate of the Royal Academy) in 1945. Ginner died in 1952.
• Where can I see Charles Ginner's work?+

  You can find Charles Ginner's work in several public collections. Within the United Kingdom, these include: the Brighton Museum & Art Gallery (Royal Pavilion Gardens, Brighton); the Manchester Art Gallery (Mosley Street, Manchester); the National Museums of Scotland, Royal Museum (Chambers Street, Edinburgh); and the Victoria & Albert Museum (Cromwell Road, London). Other locations include the Courtauld Institute of Art Gallery (Somerset House, Strand, London), the National Gallery (Trafalgar Square, London), the National Portrait Gallery (2 Saint Martin’s Place, London), and the Tate Gallery (Millbank, London). Museums outside the UK that hold his work include the Los Angeles County Museum of Art (LACMA) in Los Angeles, the Metropolitan Museum of Art in New York, the Minneapolis Institute of Arts, the Museum of Modern Art in New York, the Royal Ontario Museum in Toronto, and the Virginia Museum of Fine Arts in Richmond, Virginia. You can also find his work at the Charles Hosmer Morse Museum of American Art (Winter Park, Florida) and the Wolfsonian at Florida International University (Miami Beach, Florida).
• Where was Charles Ginner from?+

  Charles Ginner was born in Cannes, France, in 1878. He began his career working in an architect's office. From 1904 to 1908, Ginner studied painting at the Académie Vitti under Gervais. He continued his studies at the École des Beaux-Arts, and then again at the Académie Vitti under Anglade y Camarasa. Ginner moved to England in 1908, where he became involved with several artistic groups. He served on the Allied Artists' Association hanging committee in 1910, where he encountered both Harold Gilman and Spencer Gore. Ginner joined the Fitzroy Street Group and was a founder member of the Camden Town Group, the London Group, and the Cumberland Market Group. In 1911, he took Gilman to Paris. Ginner exhibited with the Indépendants Anglais at the Galerie Barbazanges in 1912. He exhibited as a Neo-Realist with Gilman in 1914 and published a manifesto for Neo-Realism in The New Age in January 1914. He became an Associate of the Royal Academy in 1945. Ginner died in 1952.
• Who did Charles Ginner influence?+

  Charles Ginner's influence can be seen most directly in his close friendships and collaborations with fellow artists. He met Harold Gilman and Spencer Gore in 1910 after moving to London. Ginner joined the Fitzroy Street Group, the Camden Town Group, the London Group, and the Cumberland Market Group, indicating his active participation in artistic circles. Ginner and Gilman became particularly close. In 1911, Ginner took Gilman to Paris, where they viewed the Bernheim Collection. Ginner's enthusiasm for Van Gogh is evident in his painting Victoria Embankment Gardens (1912), which has stylistic connections to Van Gogh's Arles garden paintings. Gilman owned Ginner's The Wild Ducks (1911/12), and included it in the background of his Girl with a Teacup. Ginner and Gilman exhibited together as Neo-Realists in 1914, publishing a manifesto in The New Age that same year. Their Neo-Realism sought to move away from imitative painting formulas based on artists such as Van Gogh, Gauguin and Cézanne, instead stressing the study of nature and technique.
• Who influenced Charles Ginner?+

  Born in Cannes, France, Charles Ginner (1878-1952) studied at the Académie Vitti, then at the École des Beaux-Arts, and again at Vitti under Anglade y Camarasa from 1904 to 1908. His early still-life paintings used thick impasto in brilliant colours, an approach that impressed the Allied Artists' Association when Ginner exhibited there in 1908. Frank Rutter recalled that Gore remarked, 'This man is a painter'. Ginner moved to London in 1910, joined the Fitzroy Street Group, and became a founder member of the Camden Town Group. He met Harold Gilman, and the two artists became close friends; Ginner took Gilman to Paris in 1911. After seeing the Bernheim Collection, Ginner wrote of 'a room entirely decorated with works of Van Gogh, a sight unsurpassed in beauty and intensity'. His 1912 Victoria Embankment Gardens makes an explicit gesture to Van Gogh’s Arles Garden paintings; the palette and Houses of Parliament also suggest a connection with Monet. By 1912, Ginner had developed a technique using small touches of thick paint in pure colour, applied rhythmically to accentuate every detail. Rutter compared Ginner's meticulousness to that of the Pre-Raphaelites.
• Who was Charles Ginner?+

  Charles Ginner (1878-1952) was a painter born in Cannes, France. He initially worked in architecture. From 1904 to 1908, he studied painting at the Académie Vitti under Gervais, then at the École des Beaux-Arts, and again at Vitti under Anglade y Camarasa. Ginner moved to England and served on the Allied Artists' Association (AAA) hanging committee in 1910, where he met Spencer Gore and Harold Gilman. He joined the Fitzroy Street Group and was a founding member of the Camden Town Group, the London Group, and the Cumberland Market Group. In 1911, Ginner took Gilman to Paris, and the two became close friends. Ginner exhibited with the Independants Anglais at the Galerie Barbazanges in 1912. With Gilman, he exhibited as a Neo-Realist in 1914 and published a manifesto for Neo-Realism in *The New Age* in January 1914. His painting *Victoria Embankment Gardens* (1912) shows the influence of Van Gogh, and also reflects his desire to paint distinctly English pictures. Ginner became an Associate of the Royal Academy (ARA) in 1945.