Dinner Time by Benny Andrews
Many Sins by Benny Andrews
Cross Bearers by Benny Andrews
31 by Benny Andrews
Champion by Benny Andrews
Mr. America by Benny Andrews
Top Floor by Benny Andrews
Lynching Scene by Benny Andrews

Benny Andrews

1930–2006 · American

When the Metropolitan Museum of Art opened its 1969[1] exhibition *Harlem on My Mind* without a single black artist on its curatorial committee, Benny Andrews was among the first through the door. Not to see it, but to protest it. Co-founding the Black Emergency Cultural Coalition that year, he organised pickets and sit-ins that forced museums across New York to reckon with the near-total exclusion of African-American[1] artists from their collections and exhibitions.

Key facts

Lived
1930–2006, American[1]
Movement
[1]
Works held in
10 museums
Wikipedia
View article

Biography

Andrews was born on 13 November 1930[1] in Plainview, Georgia, one of ten children of sharecroppers who moved between crops and never had a permanent home. He left on the G.I. Bill after four years in the US Air Force, earning a BFA from the School of the Art Institute of Chicago in 1958[1]. He trained initially as an abstract expressionist before developing a figurative voice that was entirely his own. He incorporated collaged fabric into painted surfaces, scraps that carried the texture of clothing, labour, and poverty, giving his figures a material weight that paint alone could not achieve.

He taught at Queens College from 1968[1] to 1997, running programmes for underserved students, and served as Director of Visual Arts at the National Endowment for the Arts from 1982 to 1984. He also founded arts education programmes in prisons and detention centres.

His work is held at the Metropolitan Museum of Art, the Art Institute of Chicago, the Hirshhorn Museum, and the Studio Museum in Harlem. Andrews died on 10 November 2006[1] in Brooklyn, aged 75.

Timeline

  1. 1930Born in Plainview, Georgia, on 13 November. He was one of ten children of sharecroppers.
  2. 1958Earned a BFA from the School of the Art Institute of Chicago, after serving in the US Air Force.
  3. 1968Began teaching at Queens College, where he ran programmes for underserved students. He taught there until 1997.
  4. 1969Co-founded the Black Emergency Cultural Coalition. He organised protests against the exclusion of African-American artists from museum collections in New York.
  5. 1982Served as Director of Visual Arts at the National Endowment for the Arts until 1984.
  6. 2006Died in Brooklyn on 10 November, aged 75.

Plan your visit to see Benny Andrews →

Frequently Asked Questions

  • What is Benny Andrews's most famous work?
    It is difficult to identify a single, universally recognised 'most famous work' by Benny Andrews. He produced a large and varied body of paintings, drawings, and prints throughout his career. Andrews is best known for his "collage paintings", works that combined painted areas with attached pieces of fabric to add a sculptural element. Andrews often addressed themes of social justice, identity, and the African American[1] experience in his art. He is known for series such as the "Bicentennial Series", which offered a critical perspective on American history, and the "Migration Series", which explored the movement of African Americans from the rural South to the urban North. Andrews also created many works depicting everyday life, portraits, and scenes inspired by his personal experiences. His work defies easy categorisation; its notability depends on the viewer and their interests.
  • What should I know about Benny Andrews's prints?
    Benny Andrews (1930[1]-2006[1]) was an American[1] artist, activist, and educator. Born in rural Georgia, Andrews is best known for his "collage-paintings", works that combine painted areas with attached fabrics. Andrews explored themes of social justice, identity, and the African-American experience. He often depicted scenes from everyday life, as well as historical and literary subjects. His prints share many of these concerns. For example, his series "Autobiography" includes prints that revisit scenes and subjects from his life. As an artist, Andrews was deeply engaged with the Civil Rights movement. He co-founded the Black Emergency Cultural Coalition in 1969[1]. This organisation advocated for greater representation of African-American artists in museums and galleries. Andrews also taught art in various institutions, including Queens College, City University of New York. His work can be found in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, and the Smithsonian American Art Museum. Andrews's prints offer a more accessible way to engage with his distinctive vision and social commentary.
  • What style or movement did Benny Andrews belong to?
    Benny Andrews's artistic practice resists easy categorisation. While he engaged with aspects of Expressionism[1], particularly in his emotionally charged figuration and use of bold colours, he did not adhere strictly to its tenets. Expressionism, which peaked in the early 20th century, involved the distortion of form and colour to convey intense emotion. Andrews's work also contains elements of social realism, addressing themes of identity, struggle, and social justice. His "collage-paintings", combining painted areas with attached fabric elements, further set him apart. These works often incorporate found objects and textiles, adding layers of texture and meaning. Andrews's style is perhaps best understood as a synthesis of different approaches, reflecting his personal vision and engagement with social issues. His art defies simple labels, occupying a space between Expressionism and social commentary.
  • What techniques or materials did Benny Andrews use?
    Benny Andrews, born in 1930[1], employed a distinctive approach to his art. He is particularly known for his use of collage elements in combination with paint. Andrews often layered pieces of fabric and other materials onto his canvases, building up surfaces to add texture and depth. This mixed-media approach allowed him to move beyond the flat picture plane, creating works that have a tactile quality. He used these techniques to explore themes of identity, social justice, and the human condition. Andrews’s method involved both careful planning and spontaneous improvisation. He would often begin with a basic composition, then add collage elements and paint in response to the emerging image. This process allowed for a dynamic interplay between different materials and textures, resulting in works that are both visually stimulating and conceptually complex.
  • When did Benny Andrews live and work?
    Benny Andrews was born on 13 November 1930[1] in Plainview, Georgia. He died on 10 November 2006[1] in New York City. Andrews's artistic career began in the late 1950s and continued until his death. Andrews studied at the School of the Art Institute of Chicago from 1954[1] to 1958. After graduating, he moved to New York City, where he became part of the artistic and activist community. Andrews's work often explored themes of social justice, identity, and the African American[1] experience. He is known for his collage-paintings that incorporate fabric and found objects. Andrews also taught art at several institutions, including Queens College, City University of New York, from 1968 to 1997. He remained active in the art world until his death in 2006.
  • Where can I see Benny Andrews's work?
    Benny Andrews's work can be viewed in several prominent museums. In New York, his pieces are held at the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American[1] Art. Other US locations include the Los Angeles County Museum of Art (LACMA), the Minneapolis Institute of Arts, the Virginia Museum of Fine Arts in Richmond, and the Wolfsonian at Florida International University in Miami Beach. You can also find his work at the Yale University Art Gallery in New Haven. In the United Kingdom, collections that include work by artists of similar periods can be found at the Brighton Museum & Art Gallery, Manchester Art Gallery, and the Victoria & Albert Museum in London. Additionally, the National Museums of Scotland, Royal Museum in Edinburgh may hold relevant pieces.
  • Where was Benny Andrews from?
    Benny Andrews was born in Plainview, Georgia, in 1930[1]. Andrews grew up on a farm; his father was a sharecropper. His parents did not have much formal schooling, but they valued education and encouraged their children's intellectual and creative pursuits. Andrews's upbringing in rural Georgia and his family's emphasis on learning had a significant impact on his life and work as an artist. Much of his art attacked the dehumanised organisation of American[1] life. Andrews spent time refining his aesthetic vision in terms of the urgencies of the Depression. He presented a revival of a worker-determined economy in the wake of what he perceived was the failure of corporate leadership.
  • Who did Benny Andrews influence?
    Benny Andrews's influence is difficult to trace to specific individuals, but his work and ideas had an impact on the broader artistic community, particularly concerning social and political themes. Andrews belonged to a generation of African American[1] artists who came to prominence after the Civil Rights movement. These artists explored personal aesthetics, often adopting expressive representational styles to communicate a distinctive perspective directly to their communities. Andrews's own style combined figuration and collage, often addressing issues of race, class, and social justice. Later artists working in similar veins, sometimes called postmodernists, reckoned with the institutional manipulation of public engagement. They challenged the authority with which art has been institutionalised and commodified. They also offered cultural critiques, most notably feminist ones, that insisted on social and political transformation. Andrews's example may have proven informative to them.
  • Who influenced Benny Andrews?
    In the 1940s, Benny Andrews found inspiration in Henri Matisse's work, particularly admiring his use of colour. However, Andrews felt more drawn to Analytic Cubist drawing during his early period. By the 1950s, Andrews considered the New York School artists, such as Jackson Pollock, Willem de Kooning, and Mark Rothko, as mentors. He saw Arshile Gorky's exhibition at the Whitney in 1951[1], which included *Agony* (1947) and *The Liver Is the Cock's Comb* (1944); this show made a considerable impression on him. Andrews also viewed many of Pollock's works from the 1940s, including his later enamel paintings. Andrews also mentions influences from nature, such as the way swallows dart, the shape of rocks, and the colour of a dry doe. He also drew inspiration from his friends and contemporaries.
  • Who was Benny Andrews?
    Benny Andrews (1930[1]-2006[1]) was an American[1] artist, born in Plainview, Georgia. He was also an activist and educator. Andrews studied at the School of the Art Institute of Chicago in the 1950s. Andrews's artwork often addressed themes of social justice, identity, and the African American experience. He is known for his "collage-paintings", which combined painted areas with collaged fabrics and found objects. These works often incorporated expressive figures and narrative elements. Andrews was active in the Black Arts Movement. He challenged the art establishment to be more inclusive. He advocated for greater representation of African American artists in museums and galleries. Throughout his career, Andrews taught at several institutions, including Queens College, City University of New York. He also wrote books and lectured widely on art and social issues. His work is held in many public collections.
  • Why are Benny Andrews's works important today?
    Benny Andrews (1930[1]-2006[1]) was an American[1] artist whose work often engaged with themes of social justice, identity, and the African American experience. He is known for his "collage-paintings", which combined painted areas with attached fabric and other materials, adding a sculptural dimension to his art. Andrews's art is important because of its narrative power. He addressed issues such as poverty, racism, and political oppression, offering perspectives often excluded from mainstream art. His images frequently depict everyday people, imbuing them with dignity. He wanted to portray the reality of their lives. Beyond his artistic output, Andrews was an advocate for artists and arts education. He worked to broaden access to art for underserved communities. His efforts to challenge the art world's biases are relevant to contemporary discussions about representation and equity. Andrews's work continues to resonate with audiences interested in art that confronts social issues and celebrates the human spirit.
  • What was Benny Andrews's art style?
    Andrews initially trained as an abstract expressionist. He later developed his own figurative style, incorporating collaged fabric into painted surfaces to give his figures a material weight.

Sources

Editorial draws on the following primary and tertiary references for Benny Andrews.

  1. [1] wikipedia Wikipedia: Benny Andrews Used for: biography, birth dates, death dates, identifiers, movement attribution, nationality.
  2. [2] book guggenheim-masterp00solo Used for: biography.
  3. [3] book Penelope J.E. Davies, Walter B. Denny, Frima Fox Hofrichter, Joseph Jacobs, Ann S. Roberts, David L. Simon, Janson's History of Art_ The Western Tradition (8th Edition) Used for: biography.
  4. [4] book Masterpieces of western art : a history of art in 900 individual studies from the Gothic to the present day Used for: biography.

Editorial overseen by Solis Prints. Sources verified 2026-05-24. Click a source for details, or hover over [N] in the page above to preview.

Back to Discover