View of Kalchreuth by Albrecht Dürer
View of Nuremberg by Albrecht Dürer
The Women's Bath by Albrecht Dürer
Landscape with the Cannon by Albrecht Dürer
Melencolia I by Albrecht Dürer
Adam and Eve by Albrecht Dürer
Pilate Washing His Hands by Albrecht Dürer
The Adoration of the Magi by Albrecht Dürer
The Ravisher by Albrecht Dürer
The Prodigal Son by Albrecht Dürer
Nemesis by Albrecht Dürer
Christ Carrying the Cross by Albrecht Dürer
1471–1528 · Duchy of Bavaria

Albrecht Dürer

Dürer brought the Italian Renaissance to northern Europe and took northern European printmaking to Italy. He went both ways. He visited Venice twice (1494-95 and 1505-07) and absorbed the colour, light, and anatomical precision of Bellini and Mantegna. He brought back a confidence in the human figure that German art had not previously possessed. In return, he showed the Venetians what could be done with a woodcut and an engraving burin.

Held in 26 museums

Portrait of Albrecht Dürer

Biography

He was born in Nuremberg, the son of a Hungarian goldsmith. He trained as a goldsmith himself before apprenticing with the painter and printmaker Michael Wolgemut. The metalwork training gave him the manual precision that made his prints extraordinary. Melencolia I, Knight, Death and the Devil, and Saint Jerome in His Study, all made between 1513 and 1514, are among the finest engravings ever produced. The density of cross-hatching, the control of tonal gradation, the rendering of fur, feathers, and stone: these are virtuoso performances in a medium that most artists treated as reproductive.

He drew a rhinoceros from a description and a sketch sent by letter. He had never seen one. Dürer's Rhinoceros (1515) is anatomically wrong in several respects (the animal has an extra horn and armour plating) but it remained the standard European image of a rhinoceros for three centuries.

He was one of the first artists to paint self-portraits as a primary subject. The Self-Portrait at Twenty-Eight (1500) shows him facing the viewer directly, with long hair and a fur coat, in a pose traditionally reserved for Christ. It was either an act of supreme confidence or deliberate blasphemy. Probably both.

Timeline

  1. 1471Born in Nuremberg, Germany, the third child of a Hungarian goldsmith.
  2. 1484At 13, drew a remarkably accomplished self-portrait in silverpoint, one of the earliest known self-portraits in Western art.
  3. 1494At 23, married Agnes Frey in Nuremberg, then departed almost immediately for his first trip to Venice.
  4. 1498At 27, published his Apocalypse woodcut series, a set of 15 large prints that established his European reputation.
  5. 1506At 35, painted the Feast of the Rose Garlands altarpiece in Venice during his second Italian visit.
  6. 1528Died aged 56 in Nuremberg, possibly from chronic malaria contracted during his journey to the Netherlands.

Where to See Albrecht Dürer

20 museums worldwide.

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  • National Gallery of Art

    Washington, D.C., United States

    821 works
  • Metropolitan Museum of Art

    New York City, United States

    394 works
  • Cleveland Museum of Art

    Wade Park, United States

    322 works
  • British Museum

    building of the British Museum, United Kingdom

    210 works
  • Albertina

    Palais Erzherzog Albrecht, Austria

    156 works
  • Chester Beatty Library

    Dublin, Ireland

    122 works

Albrecht Dürer prints

Hand-finished archival prints from Albrecht Dürer's body of work.

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Frequently Asked Questions

  • When was Albrecht Dürer born?
    Albrecht Dürer was born in 1471 and died in 1528.
  • What art movement was Albrecht Dürer part of?
    Albrecht Dürer was associated with Northern Renaissance.
  • Where can I see Albrecht Dürer's paintings?
    Albrecht Dürer's works can be seen in 26 museums worldwide, including National Gallery of Art, Metropolitan Museum of Art, Cleveland Museum of Art.
  • What is Albrecht Dürer known for?
    Albrecht Dürer is known for drew a rhinoceros he had never seen that remained the standard image for three centuries, and painted himself in the pose of Christ at twenty-eight.

Sources

Editorial draws on the following primary and tertiary references for Albrecht Dürer.

  1. [1] book Howard Simon, 500 Years of Illustration Used for: biography.
  2. [2] book Dorling Kindersley, Artists: Inspiring Stories of the World's Most Creative Minds Used for: biography.

Editorial overseen by Solis Prints. Sources verified 2026-06-19. Click a source for details, or hover over [N] in the page above to preview.

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