Collezione
Edward Wadsworth
Esplora stampe d'arte selezionate per case distintive e interni ricercati.
Filtri suggeriti
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Broadbottom, vicino a Glossop - Edward WadsworthPrint
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Composition - Crank and Chain - Edward WadsworthPrint · Framed
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Honfleur, France, Entrance to the Harbour - Edward WadsworthPrint · Framed
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Bright Intervals - Edward WadsworthPrint · Framed
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Natura morta - Edward WadsworthPrint · Framed · Canvas
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Balletto di bronzo - Edward WadsworthPrint · Framed · Canvas
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Rue Fontaine de Caylus, Marsiglia, Francia - Edward WadsworthPrint
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Regalia - Edward WadsworthPrint
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Satellitium - Edward WadsworthPrint
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Elica marina - Edward WadsworthPrint
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Marsiglia - Edward WadsworthPrint
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La prospettiva dell'ozio II - Edward WadsworthPrint
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L'Avant Port, Marsiglia - Edward WadsworthPrint
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Sezioni di luce - Edward WadsworthPrint
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Edward Alexander Wadsworth (Edward Wadsworth) - Edward WadsworthPrint
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Pendente - Edward WadsworthPrint
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Visibilità moderata - Edward WadsworthPrint
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Il primo del riflusso, il marinaio e il mare - Edward WadsworthPrint
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La finestra aperta - Edward WadsworthPrint
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Gasteropoda - Edward WadsworthPrint
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Porto di Marsiglia, Quai du Port - Edward WadsworthPrint
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Segnali - Edward WadsworthPrint
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Souvenir di Fiumicino - Edward WadsworthPrint
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Porto immaginario II - Edward WadsworthPrint
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Artist Biography
Edward Wadsworth
Edward Wadsworth's most consequential act as an artist may have been bureaucratic rather than painterly. In 1917, as a lieutenant in the Royal Naval Volunteer Reserve, he oversaw the transfer of dazzle camouflage designs to hundreds of Allied ships, an industrial-scale deployment of abstract pattern intended to confuse submarine commanders about a vessel's speed and heading. The project placed his Vorticist training directly in service of the war effort, and the paintings he made from it, including Dazzle-ships in Drydock at Liverpool (1919), stand among the most striking documents of that strange overlap between modernism and military necessity.
Born in Cleckheaton, Yorkshire, in 1889, Wadsworth studied engineering before switching to art, spending time in Munich and then winning a scholarship to the Slade School of Fine Art in London. By 1914 he was a signatory of the Vorticist Manifesto and a contributor to BLAST, the movement's combative journal. His pre-war work shared Vorticism's love of hard angles and mechanical force, applied to the industrial landscapes of the Black Country where he grew up.
After the war he moved away from abstraction, adopting tempera as his primary medium and concentrating on coastal still lifes: rope, anchors, shells, and nautical equipment arranged against flat backgrounds or grey sea horizons. The shift aligned him with a broader European return to representational order, and these later compositions earned him election as an Associate of the Royal Academy in 1943. He died in Bayswater in June 1949, having moved through nearly every major mode of British modernism without fully belonging to any of them.
Born in Cleckheaton, Yorkshire, in 1889, Wadsworth studied engineering before switching to art, spending time in Munich and then winning a scholarship to the Slade School of Fine Art in London. By 1914 he was a signatory of the Vorticist Manifesto and a contributor to BLAST, the movement's combative journal. His pre-war work shared Vorticism's love of hard angles and mechanical force, applied to the industrial landscapes of the Black Country where he grew up.
After the war he moved away from abstraction, adopting tempera as his primary medium and concentrating on coastal still lifes: rope, anchors, shells, and nautical equipment arranged against flat backgrounds or grey sea horizons. The shift aligned him with a broader European return to representational order, and these later compositions earned him election as an Associate of the Royal Academy in 1943. He died in Bayswater in June 1949, having moved through nearly every major mode of British modernism without fully belonging to any of them.
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