Still Life with Wood Tankard and Metal Pitcher - Paul Gauguin
Archival giclée
Ready to hang
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Made to order
Description
A beautiful still life by Paul Gauguin from 1880, featuring a wooden tankard and metal pitcher. This fine art print captures the artist's early exploration of form and colour, perfect for adding a touch of Impressionist charm to your home.
This still life by Paul Gauguin, painted in 1880, showcases the artist's early exploration of form and colour before his more radical experiments in Tahiti. The composition features a wooden tankard and a metal pitcher set against a backdrop of loosely defined landscape elements and a striped curtain or awning. Gauguin's brushwork is visible and expressive, building up texture and capturing the play of light on the surfaces of the objects. The colour palette is muted yet rich, with earthy browns, greens, and blues creating a sense of depth and atmosphere. Gauguin's still lifes from this period offer a glimpse into his artistic development, revealing his interest in capturing the essence of everyday objects through careful observation and painterly technique. This print would make a sophisticated addition to any home, bringing a touch of Impressionist charm and artistic history to your living space. Its subtle colours and textured surface would complement a variety of interior styles, adding a touch of elegance and refinement to your decor.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Still Life with Wood Tankard and Metal Pitcher - Paul Gauguin
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Paul Gauguin
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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