A dynamic ink and watercolour drawing by Dutch artist Lucebert, capturing two figures in motion with gestural lines and earthy tones.

Lucebert, born Lubertus Jacobus Swaanswijk, was a central figure in the Dutch post-war avant-garde. As a poet and painter, his work often bridges the gap between linguistic expression and visual form. This piece, titled Twee figuren (achtervolging), dates from 1977 and demonstrates his characteristic approach to the human figure. The composition captures two entities in motion, their forms rendered with a sense of urgency and spontaneity that aligns with the CoBrA movement's interest in raw, unmediated creativity.

The drawing utilises a combination of fluid ink lines and washes of watercolour. The figures are not anatomically precise; instead, they are constructed through gestural marks that suggest tension and pursuit. The palette is dominated by earthy greens and muted tones, which provide a backdrop for the darker, more aggressive ink strokes defining the bodies. Lucebert often drew inspiration from children's art and folk traditions, seeking a directness that bypassed academic conventions. The date, inscribed by the artist in the upper margin, confirms the work's origin in his later period, where his style had matured into a highly personal shorthand of shapes and movements.

In this work, the interaction between the two figures creates a narrative of chase or flight. The lack of a defined background forces the viewer to focus on the physical relationship between the subjects. The ink lines vary in weight, sometimes appearing as delicate outlines and other times as heavy, saturated marks that anchor the figures to the page. This balance of control and chaos is typical of his output, reflecting a career spent exploring the boundaries of human expression through both text and image.