The Victory of Joshua over the Amorites - Nicolas Poussin
Archival giclée
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Description
A dramatic depiction of biblical warfare by Nicolas Poussin, featuring intense movement and strong chiaroscuro.
Nicolas Poussin painted The Victory of Joshua over the Amorites during his early years in Rome. This work depicts the biblical narrative from the Book of Joshua, where the Israelites defeat the Amorite coalition. Poussin organises the chaotic scene through a series of interlocking figures, creating a sense of movement that defines the conflict. The composition relies on a dense arrangement of soldiers, horses, and weaponry, which draws the eye across the canvas in a rhythmic fashion.
The lighting in this piece is dramatic, typical of the early seventeenth-century Roman style. Strong contrasts between light and shadow define the musculature of the figures and the metallic sheen of their armour. Poussin employs a palette of earthy tones, punctuated by the red of cloaks and shields, to ground the action. The background features a dark, turbulent sky, which adds to the intensity of the battle.
Unlike his later, more restrained works, this painting shows the influence of his contemporaries in Rome, such as the followers of Caravaggio. The figures are rendered with a focus on physical exertion and anatomical precision. Poussin manages to balance the disorder of the battlefield with a clear structural logic, ensuring that the viewer can follow the narrative flow despite the density of the combatants. This print captures the energy of the original oil painting, preserving the textures of the brushwork and the depth of the shadows. It is a representative example of Poussin's ability to translate complex literary and religious subjects into visual form, demonstrating his early mastery of composition and dramatic tension.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Victory of Joshua over the Amorites - Nicolas Poussin
Artist Biography
Nicolas Poussin
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
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