The Swan (No. 17) - Hilma af Klint

A geometric composition from 1915 by Hilma af Klint, exploring themes of duality and spiritual harmony through balanced, prismatic forms.

The Swan (No. 17) is a work from the series titled The Swan, created by Swedish artist Hilma af Klint in 1915. This series explores themes of duality, spiritual evolution, and the reconciliation of opposites. The composition is divided horizontally, separating the upper and lower halves of the canvas with a distinct horizon line. At the centre of the work sits a geometric form, resembling a diamond or a double-ended prism. This shape is segmented into vertical bands of colour, transitioning through a spectrum that suggests a prismatic light effect. The upper portion of the prism is set against a pale, circular background, while the lower portion is anchored by a darker, circular base. These circular elements evoke celestial or earthly spheres, grounding the more abstract geometric form. Af Klint was a pioneer of abstract painting, working in relative isolation from the mainstream art movements of her time. Her practice was deeply influenced by her interest in spiritualism, theosophy, and anthroposophy. She viewed her artistic output as a means to visualise complex metaphysical concepts that existed beyond the physical realm. The symmetry and balance present in this piece reflect her search for harmony between opposing forces, such as light and dark, or spirit and matter. Unlike many of her contemporaries who moved toward abstraction through the reduction of representational forms, af Klint developed a unique visual language based on symbols and geometry. The application of paint is precise, allowing the colours within the central prism to maintain a clear, structured appearance. This print captures the subtle textures of the original oil paint, providing a clear view of the artist's deliberate brushwork and the muted, earthy tones that define the background. It is a piece that invites quiet contemplation of form and balance.