The Sculptor, Preparations for the Academy: Old Joseph Nollekens and his Venus - Thomas Rowlandson
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Thomas Rowlandson's etching offers a satirical glimpse into the studio of sculptor Joseph Nollekens, capturing the artistic process with wit and charm. A delightful addition to any space, blending historical charm with artistic flair.
A delightful glimpse into the studio of Joseph Nollekens, a prominent sculptor of the late 18th and early 19th centuries, captured by the keen eye of Thomas Rowlandson. This etching, with its delicate hand-colouring, offers a satirical yet affectionate portrayal of the artistic process and the personalities involved. Nollekens, known for his classical busts and monuments, is depicted here working on a sculpture of Cupid, while a model poses in the foreground, surrounded by the tools and trappings of the sculptor's trade. Rowlandson's skill lies in his ability to blend social commentary with artistic observation. The scene is rich with detail, from the classical sculptures adorning the walls to the scattered implements on the floor, creating a vivid sense of the artist's workspace. The composition is carefully balanced, drawing the viewer's eye through the various elements of the scene, inviting us to ponder the relationship between the artist, the model, and the art itself. As a fine art print, this work brings a touch of Georgian wit and artistic flair to any interior. Its muted colour palette and intricate linework make it a versatile addition to both modern and traditional settings, adding a layer of historical charm and intellectual curiosity to your home.
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The Sculptor, Preparations for the Academy: Old Joseph Nollekens and his Venus - Thomas Rowlandson
Sale price£25.20
Regular price£28.00 (/)
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Premium materials
Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
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Museum-grade prints
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
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Crafted in the UK
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
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Ready to hang
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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What our customers say
Real reviews from real customers
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Thomas Rowlandson
Thomas Rowlandson, a leading figure in British Romanticism, was the Georgian era's satirical chronicler *par excellence*. Born in London in 1756, Rowlandson possessed a remarkable talent for capturing the follies and foibles of his time with wit and unparalleled artistic skill. Unlike some of his contemporaries who favoured outright caricature, Rowlandson imbued his subjects with a sense of humanity, even amidst their most absurd moments. He deftly balanced humour with social commentary, making his art both entertaining and insightful. Rowlandson's prolific output included drawings, prints, and watercolours, often depicting everyday life, political events, and popular pastimes. Among his most celebrated works are the 'Vauxhall Gardens' series, offering a vibrant snapshot of London's leisure culture, and his illustrations for 'The Microcosm of London,' a collaborative project showcasing the city's diverse inhabitants and locales. He travelled widely, sketching scenes from across Britain and Europe, and these travels further enriched his artistic vision. Despite achieving considerable fame and financial success during his lifetime, Rowlandson's lifestyle was marked by extravagance and a penchant for gambling. This often led to periods of debt, which he alleviated through his art. He died in 1827, leaving behind a vast and invaluable body of work that continues to delight and inform us about the Georgian era, solidifying his place as one of Britain's greatest social satirists.
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