The Palace of Window Rocks - Yves Tanguy
Archival giclée
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Description
Yves Tanguy's 'The Palace of Window Rocks' (1942) presents a dreamlike Surrealist vision with biomorphic forms in a desolate landscape, rendered in cool blues and greys, inviting viewers to explore the subconscious.
Yves Tanguy's 1942 painting, The Palace of Window Rocks, exemplifies the artist's mature Surrealist style. Tanguy, a self-taught artist, developed a distinctive visual language characterised by biomorphic forms and dreamlike settings. Born in Paris, he became associated with André Breton and the Surrealist group in the 1920s, after being struck by a painting by Giorgio de Chirico. He later moved to the United States. In this work, amorphous, bone-like structures populate a desolate, seemingly infinite plane. The colour palette is dominated by cool blues and greys, lending the scene an ethereal quality. These strange objects cast long, sharp shadows, heightening the sense of unease and disorientation. Fine lines connect some of the forms, suggesting a delicate, perhaps precarious, relationship between them. The sky, a hazy expanse of pale blue, contributes to the overall atmosphere of otherworldly calm and quiet menace. Tanguy's work invites viewers to explore the depths of the subconscious, presenting a world that is both alien and strangely familiar.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Palace of Window Rocks - Yves Tanguy
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Yves Tanguy
He was born in Paris in 1900. He briefly joined the merchant navy in 1918 before being drafted into the army, where he met the poet Jacques Prevert, who later introduced him to Andre Breton's Surrealist circle. He joined the Surrealists in 1925 and had his first solo show just two years later, having taught himself everything.
His paintings consistently depict flat, featureless landscapes resembling sea floors or alien terrain, populated by biomorphic forms that look like melted rocks or bones. He never explained them. The palette is muted, the horizons infinite, the atmosphere airless. The same vocabulary of forms appears across decades of work with only gradual variation.
He married the American Surrealist painter Kay Sage in Reno, Nevada, in 1940. They settled in Woodbury, Connecticut, converting an old farmhouse into a studio. He died there in 1955, aged fifty-five.
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