Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed topographical oil painting by Samuel Scott depicting the construction of Westminster Bridge on the River Thames in London.
Samuel Scott, a prominent figure in eighteenth-century British art, captures a specific moment in London's urban development with this depiction of Westminster Bridge under construction. The painting documents the progress of the bridge, which was a major engineering project of the era, while providing a clear view of the surrounding riverfront architecture. Westminster Abbey, with its distinctive spire, dominates the skyline, grounding the scene in its historical geography.
The composition relies on a low horizon line, allowing the expansive sky to occupy a significant portion of the canvas. This choice creates a sense of openness, typical of the topographical style popularised by artists like Canaletto, who influenced Scott's approach to light and water. The Thames serves as a busy thoroughfare, populated by small rowing boats and barges that provide a sense of scale against the massive stone arches of the bridge. The figures in the foreground are rendered with precision, their presence adding a narrative element to the otherwise industrial scene.
Scott employs a muted palette of greys, soft blues, and earthy ochres to represent the atmospheric conditions of the London riverfront. The light is diffused, suggesting a typical overcast day, which softens the edges of the buildings and the bridge structure. This attention to atmospheric perspective helps to define the distance between the foreground vessels and the distant city structures. The work functions as both a record of civil engineering and a study of the interplay between human activity and the natural environment of the river. It captures the transition of London from a medieval city to a modern metropolis, reflecting the period's fascination with progress and urban expansion. The painting remains a valuable visual document for historians interested in the development of the capital during the mid-eighteenth century.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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