A satirical lithograph by Denis-Auguste-Marie Raffet depicting the political and social disorder in Paris following the July Revolution of 1830.

This lithograph by Denis-Auguste-Marie Raffet, titled 'Archeveché, 29 Juillet', appeared in the French satirical journal 'La Caricature'. The work captures the chaotic atmosphere following the July Revolution of 1830 in Paris. Raffet, a skilled draughtsman and lithographer, uses the medium to provide a biting commentary on the social and political upheaval of the period. The scene depicts a group of figures in a state of revelry and disorder, set against the backdrop of the Archbishopric. The composition is dense with activity, featuring individuals in various states of disarray, suggesting a critique of the institutions that lost their authority during the insurrection.

Raffet employs a loose, expressive line quality characteristic of his military and historical subjects. The shading is achieved through fine cross-hatching and tonal washes, which provide depth to the figures and the architectural elements. The central figure, standing atop a pile of books and papers, gestures outward with a sense of theatricality. The surrounding crowd, including figures in clerical attire, contributes to the sense of mockery directed at the establishment. The text below the image, 'Archeveques, Diacres, Curés, Sacristains, Loueurs de chaises, tous sont des picoteurs', reinforces the satirical intent of the piece, targeting the clergy and those associated with the church hierarchy.

As a document of the early nineteenth-century French press, this print offers a glimpse into the role of visual media in shaping public opinion during times of political transition. Raffet's ability to balance historical observation with caricature makes this a compelling example of the satirical lithography that flourished in Paris under the July Monarchy. The work remains a primary source for understanding the visual language of dissent in the 1830s.