A masterful late fifteenth-century engraving by Martin Schongauer, depicting the Archangel Michael in a precise, detailed struggle against a demonic dragon.

Martin Schongauer was a master of the burin, and this engraving demonstrates his technical control over the medium. The composition features the Archangel Michael, who stands with a calm, focused expression as he drives a long staff into the mouth of a grotesque, hybrid dragon. The creature is a complex assembly of reptilian scales, claws, and a snarling, demonic face, which contrasts with the serene, youthful appearance of the angel.

Schongauer uses a variety of hatching techniques to define the forms. The drapery of Michael's robes is rendered with long, flowing lines that suggest weight and movement, while the wings are articulated with fine, parallel strokes that capture the texture of feathers. The background is kept minimal, which directs the viewer's attention to the interaction between the two figures. The artist includes his characteristic monogram, M+S, at the bottom centre, a mark that became widely recognised across Europe during the late fifteenth century.

This work reflects the Northern Renaissance interest in both spiritual subject matter and the precise observation of form. Schongauer’s ability to create volume and texture through line alone influenced many subsequent printmakers, including Albrecht Dürer. The engraving is a clear example of the high level of craftsmanship achieved in German printmaking during this period. The balance between the ethereal nature of the angel and the physical, monstrous reality of the dragon creates a narrative tension that is typical of Schongauer's religious works. The print is a study in contrast, pitting divine order against chaotic, earthly evil through the medium of black ink on paper.