Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





A self-portrait by Sophie Taeuber-Arp, a Swiss artist and key figure in the Dada movement, featuring one of her abstract Dada Head sculptures. The photograph explores the relationship between the artist and her creation.
This self-portrait by Sophie Taeuber-Arp shows the artist with one of her Dada Heads. Taeuber-Arp was a Swiss artist, sculptor, painter, dancer, and designer, and a central figure in the Dada movement. Dada was an art movement formed during the First World War in Zurich in negative reaction to the horrors and folly of the war. Often satirical and nonsensical in nature, Dada explored anti-war politics through a rejection of the prevailing standards in art, culture, and thought. Its purpose was to ridicule what its participants considered to be the meaninglessness of the modern world. Dada's influence extended to Surrealism, Pop Art and beyond. Taeuber-Arp's Dada Heads were three-dimensional abstract sculptures, often made of painted wood. They represent a departure from traditional portraiture, embracing abstraction and geometric forms. In this photograph, Taeuber-Arp poses beside one of these heads, creating a dialogue between the artist and her creation. The Dada Head itself is a geometric construction, with simplified shapes and bold lines. The photograph is a study in contrasts, juxtaposing the artist's human features with the abstract form of the Dada Head.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
dancing at Dada evenings under a fake name, reaching abstraction through textile grids, designing puppets that Zurich hated, and appearing on the fifty-franc note
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