A serene marine scene by Henri Martin, capturing the light and atmosphere of the port of Collioure through rhythmic, divisionist brushwork.

Henri Martin, a French painter associated with the Post-Impressionist movement, captures the Mediterranean light of Collioure in this work. The composition focuses on the harbour, where small fishing boats with white sails navigate the calm waters. In the foreground, a yellow boat rests near the shore, providing a colour contrast to the blue tones of the sea and the distant mountains. The town buildings sit along the water, rendered in soft, muted tones that suggest the warmth of the southern French sun.

Martin employs a divisionist technique, applying paint in short, rhythmic strokes. This method creates a shimmering effect across the surface of the water and the mountain slopes. Rather than blending colours on the palette, he places them side by side on the canvas, allowing the viewer's eye to perform the optical mixing. This approach gives the scene a sense of movement and atmospheric depth, characteristic of his later work in the region.

The palette is dominated by cool blues and purples, balanced by the warmer ochre and yellow tones of the boats and the coastal architecture. The mountains in the background provide a structured frame for the harbour, grounding the composition. Martin spent significant time in Collioure, a location that attracted many artists due to its unique light and coastal character. This painting reflects his interest in the interplay between natural light and the built environment, documenting the quiet activity of the port without relying on excessive detail. The result is a study of light and colour that captures the specific mood of the Mediterranean coast during the early twentieth century.