A dynamic lithograph by Anthonie van den Bos, capturing a horseman and dog through bold, high-contrast forms and expressive, painterly marks.

This lithograph by the Dutch artist Anthonie van den Bos depicts a horseman in motion, accompanied by a dog. The composition relies on high-contrast areas of black ink against the paper surface, creating a bold graphic quality. The rider is positioned centrally, mounted on a horse that appears to be in mid-stride. The artist employs heavy, solid blocks of shadow to define the forms of the horse and the rider, while the background remains largely suggested through sweeping, atmospheric shapes.

Van den Bos focuses on the silhouette and the energy of the scene rather than minute anatomical detail. The horseman wears a plumed hat, suggesting a historical or romanticised costume common in nineteenth-century graphic arts. The dog is positioned near the horse's front legs, integrated into the dark foreground mass. The use of lithography allows for a painterly application of tone, which the artist uses to create a sense of movement and drama. The sky is rendered with broad, gestural marks, providing a sense of depth and weather without the need for fine hatching or cross-hatching techniques.

This work reflects the interest in equestrian subjects that persisted throughout the nineteenth century. It avoids the rigid formality of earlier portraiture, opting instead for a dynamic, sketch-like quality. The print is a clear example of the technical capabilities of the lithographic medium during this period, where artists could achieve a range of grey tones and solid blacks to convey mood. The lack of a defined horizon line keeps the focus entirely on the interaction between the rider, the animal, and the surrounding environment. It is a study of form and motion, captured with economy and directness.